{"id":5549,"date":"2019-06-03T19:27:08","date_gmt":"2019-06-03T17:27:08","guid":{"rendered":"https:\/\/p511476.webspaceconfig.de\/?post_type=exhibition&#038;p=5549"},"modified":"2019-06-18T18:51:38","modified_gmt":"2019-06-18T16:51:38","slug":"i-am-here","status":"publish","type":"exhibition","link":"https:\/\/www.kunsthalle-karlsruhe.de\/en\/exhibition\/i-am-here\/","title":{"rendered":"I am here!"},"content":{"rendered":"<section class=\"block block-header-exhibition\" itemscope itemtype=\"http:\/\/schema.org\/Event\">\n    <div class=\"block-header-exhibition-wrapper\">\n        <div class=\"block-header-exhibition-wrapper-title\">\n            <div class=\"block-header-exhibition-wrapper-title-content\">\n                <div class=\"container-fluid\">\n                    <div class=\"row\">\n                        <div class=\"col-xs-12 col-sm-3\">\n                            <div class=\"box lighter\">\n                                <div class=\"block-header-exhibition-date-border\"><\/div>\n                                <p><span class='exhibition-date'>31. Oct 2015<\/span> \u2013<br\/><span class='exhibition-date'>31. Jan 2016<\/span><\/p>\n                            <\/div>\n                        <\/div>\n\n                        <div class=\"col-xs-12 col-sm-9\">\n                            <div class=\"box\">\n                                <div class=\"h5\">Exhibition<\/div>\n                                <h1   itemprop=\"name\">I am here!<\/h1>                                <p><p>From Rembrandt to the selfie<\/p><br \/>\n<\/p>\n                            <\/div>\n                        <\/div>\n                    <\/div>\n                <\/div>\n            <\/div>\n        <\/div>\n\n        <style type=\"text\/css\">#image_6a144abb7de18 {\n        -webkit-filter: brightness(50%);\n        filter:url(\"data:image\/svg+xml;utf8,<svg xmlns='http:\/\/www.w3.org\/2000\/svg' ><filter id='bright50'><feComponentTransfer><feFuncR type='linear' slope='0.5'\/><feFuncG type='linear' slope='0.5' \/><feFuncB type='linear' slope='0.5' \/><\/feComponentTransfer><\/filter><\/svg>#bright50\");\n        filter:brightness(50%); }\n        <\/style>\n\t<div class=\"lazy-media background\" id=\"media_6a144abb7de17\">\n\t\t\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\u00a9 Lyon MBA | Foto Alain Basset\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\n        <script type=\"application\/json\" class=\"lazy-media-data\">\n        {\n        \"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-header-neu-150x84.jpg\",\"width\":150,\"height\":84,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-header-neu-300x169.jpg\",\"width\":300,\"height\":169,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-header-neu-768x432.jpg\",\"width\":768,\"height\":432,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-header-neu-1024x576.jpg\",\"width\":1024,\"height\":576,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-header-neu-720x405.jpg\",\"width\":720,\"height\":405,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-header-neu-1280x720.jpg\",\"width\":1280,\"height\":720,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-header-neu-1920x1080.jpg\",\"width\":1920,\"height\":1080,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-header-neu.jpg\",\"width\":1920,\"height\":1080}},\n        \"path\" : \"\/wp-content\/uploads\/2019\/06\/\",\n        \"autoplay\" : \"\",\n\t\t\"focus\" : null,\n        \"caption\" : false        }\n        <\/script>\n\n\t\t<div title=\"Louis Janmot: Selbstportr&auml;t (Detail), 1832\" class=\"image-wrapper\" id=\"image_6a144abb7de18\">\n\t\t\t<div class=\"image\"><\/div>\n\t\t\t\t\t<\/div>\n\n\t\t<noscript>\n\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/06\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-header-neu.jpg\" alt=\"Abbildung des Selbstportr&auml;ts von Louis Janmot aus dem Jahr 1832. Es zeigt eine Frau in einem Kleid. Sie h&auml;lt eine Palette und einen Stift.\" title=\"Louis Janmot: Selbstportr&auml;t (Detail), 1832\" \/>\n\t\t<\/noscript>\n    <\/div>\n\n    <\/div>\n\n    \n\n            <section class=\"block block-calendar block-calendar-category-list\" style=\"display: none;\" id=\"exhibition-calendar\">\n            <div class=\"container-fluid\">\n                <div class=\"row\">\n                    <div class=\"col-xs-12 col-sm-10 col-sm-offset-1\">\n                        \n                    <\/div>\n                <\/div>\n            <\/div>\n        <\/section>\n    <\/section>\n\n<section class=\"block block-headline block-margin-remove\" >\n    <div class=\"container-fluid\">\n        <div class=\"row center-sm\">\n                            <div class=\"col-xs-12 col-sm-8\" style=\"text-align: center\">\n                    <div class=\"box\">\n                                                    <div  class=\" h6 margin-zero-bottom font-regular color-highlight fs-md-22-32 fs-xs-18-24\" >Summary<\/div>                                                <h2  ><p>An exciting selection of artistic self-images, in various media spanning six centuries<\/p>\n<\/h2>                    <\/div>\n                <\/div>\n                    <\/div>\n    <\/div>\n<\/section>\n\n<section class=\"block block-gallery-moderated\" >\n\t<div class=\"block-gallery-moderated-wrapper\">\n\t\t\n\t\t\t\t<div class=\"block-gallery-moderated-item \">\n\t\t\t\t\t<div class=\"block-gallery-moderated-item-wrapper\">\n\t\t\t\t\t\t\n\t\t<div class=\"lazy-media background load-immediately\" id=\"media_6a144abb7f11f\">\n\t\t\t\n\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-rembrandt-122x150.jpg\",\"width\":122,\"height\":150,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-rembrandt-244x300.jpg\",\"width\":244,\"height\":300,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-rembrandt-768x945.jpg\",\"width\":768,\"height\":945,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-rembrandt-833x1024.jpg\",\"width\":833,\"height\":1024,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-rembrandt-585x720.jpg\",\"width\":585,\"height\":720,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-rembrandt-1041x1280.jpg\",\"width\":1041,\"height\":1280,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-rembrandt-1561x1920.jpg\",\"width\":1561,\"height\":1920,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-rembrandt.jpg\",\"width\":1626,\"height\":2000}},\n\t\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\t\"focus\" : null,\n\t\t\t\t\t\"caption\" : \"Rembrandt Harmenszoon van Rijn: Self-portrait, c. 1650 \\u00a9 Staatliche Kunsthalle Karlsruhe\"\t\t\t\t}\n\n\t\t\t<\/script>\n\n\t\t\t<div title=\"Rembrandt Harmenszoon van Rijn: Selbstbildnis, um 1650 &copy; Staatliche Kunsthalle Karlsruhe\" class=\"image-wrapper\" id=\"image_6a144abb7f11e\">\n\t\t\t\t<div class=\"image\" id=\"image_6a144abb7f11e\"><\/div>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t<noscript>\n\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-rembrandt.jpg\" alt=\"Abbildung des Selbstbildnisses von Rembrandt aus dem Jahr 1650. Er tr&auml;gt ein braunes Gewand und einen braunen Hut.\" title=\"Rembrandt Harmenszoon van Rijn: Selbstbildnis, um 1650 &copy; Staatliche Kunsthalle Karlsruhe\" \/>\n\t\t\t<\/noscript>\n\t\t<\/div>\n\n\t\t\n\t\t\t\t\t\t<div class=\"block-gallery-moderated-item-caption\">\n\t\t\t\t\t\t\t<div class=\"container-fluid\">\n\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t<div class=\"col-xs\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"h6\">Rembrandt Harmenszoon van Rijn: Self-portrait, c. 1650 \u00a9 Staatliche Kunsthalle Karlsruhe<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t<div class=\"block-gallery-moderated-item \">\n\t\t\t\t\t<div class=\"block-gallery-moderated-item-wrapper\">\n\t\t\t\t\t\t\n\t\t<div class=\"lazy-media background load-immediately\" id=\"media_6a144abb7f31d\">\n\t\t\t\t\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\u00a9 Ai Weiwei | The image is courtesy of Ai Weiwei Studio\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-weiwei-150x113.jpg\",\"width\":150,\"height\":113,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-weiwei-300x225.jpg\",\"width\":300,\"height\":225,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-weiwei-768x576.jpg\",\"width\":768,\"height\":576,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-weiwei-1024x768.jpg\",\"width\":1024,\"height\":768,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-weiwei-720x540.jpg\",\"width\":720,\"height\":540,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-weiwei-1280x960.jpg\",\"width\":1280,\"height\":960,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-weiwei-1920x1440.jpg\",\"width\":1920,\"height\":1440,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-weiwei.jpg\",\"width\":2000,\"height\":1500}},\n\t\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\t\"focus\" : null,\n\t\t\t\t\t\"caption\" : \"Ai Weiwei: Illumination, 2014 \\u00a9 Ai Weiwe,The image is courtesy of Ai Weiwei Studio\"\t\t\t\t}\n\n\t\t\t<\/script>\n\n\t\t\t<div title=\"Ai Weiwei: Illumination, 2014 &copy; Ai Weiwe,The image is courtesy of Ai Weiwei Studio\" class=\"image-wrapper\" id=\"image_6a144abb7f31b\">\n\t\t\t\t<div class=\"image\" id=\"image_6a144abb7f31b\"><\/div>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t<noscript>\n\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-weiwei.jpg\" alt=\"Fotografie &quot;Illumination&quot; des zeitgen&ouml;ssischen K&uuml;nstlers Ai Weiwei aus dem Jahr 2014. Es zeigt den K&uuml;nstler wie er ein Foto mit anderen Personen vor einem Spiegel macht,.\" title=\"Ai Weiwei: Illumination, 2014 &copy; Ai Weiwe,The image is courtesy of Ai Weiwei Studio\" \/>\n\t\t\t<\/noscript>\n\t\t<\/div>\n\n\t\t\n\t\t\t\t\t\t<div class=\"block-gallery-moderated-item-caption\">\n\t\t\t\t\t\t\t<div class=\"container-fluid\">\n\t\t\t\t\t\t\t\t<div class=\"row\">\n\t\t\t\t\t\t\t\t\t<div class=\"col-xs\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"h6\">Ai Weiwei: Illumination, 2014 \u00a9 Ai Weiwe,The image is courtesy of Ai Weiwei Studio<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t<div class=\"block-gallery-moderated-copy-container\">\n\t\t\n\t\t\t\t<div class=\"block-gallery-moderated-copy\">\n\t\t\t\t\t<div class=\"block-gallery-moderated-copy-wrapper\">\n\t\t\t\t\t\t<div class=\"container-fluid\">\n\t\t\t\t\t\t\t<div class=\"row \">\n\t\t\t\t\t\t\t\t<div class=\"col-xs col-sm-8\">\n\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t<h3>From Rembrandt<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.kunsthalle-karlsruhe.de\/kunstwerke\/Rembrandt-Harmensz-van-Rijn\/Selbstbildnis\/D2547DA04968708EEADD74992CB4F5F6\/\" alt=\"Rembrandt Harmensz. van Rijn - Selbstbildnis\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"block-gallery-moderated-imdas-link\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"mixin-motion-link\" data-src=\"\/blocks\/block-gallery-moderated\/assets\/teaser_pfeil.json\" data-hover-out=\"1\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<h6>Discover this artwork in our collection<\/h6>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t<div class=\"block-gallery-moderated-copy\">\n\t\t\t\t\t<div class=\"block-gallery-moderated-copy-wrapper\">\n\t\t\t\t\t\t<div class=\"container-fluid\">\n\t\t\t\t\t\t\t<div class=\"row \">\n\t\t\t\t\t\t\t\t<div class=\"col-xs col-sm-8\">\n\t\t\t\t\t\t\t\t\t<div class=\"box\">\n\t\t\t\t\t\t\t\t\t\t<h3>to the selfie<\/h3>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<h6><\/h6>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n<\/section>\n\n\n<section class=\"block block-copy block-margin-remove\" style=\"text-align: left\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                        <div class=\"col-xs-12 col-sm-8 col-sm-offset-2\">\n                <div class=\"box\">\n                    <div class=\"copy editor\"><p>The self-portrait occupies a core place in the history of European art. Ever since the Renaissance, and in some cases even earlier, artists have self-consciously created images of themselves. The exhibition <em>I am here! From Rembrandt to the selfie<\/em> presents an exciting selection of artistic self-images, in various media spanning six centuries, from Rembrandt to the selfie. The topic is more relevant than ever, as social media thrive on self-portraits and the continual presentation of self.<\/p>\n                        \n\n                        <\/div>\n                <\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\n<div class=\"block-read-more\">\n    <div class=\"block-read-more-button plus\">\n        <div class=\"block-read-more-button-icon\">\n            <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"14\" height=\"15\" viewBox=\"0 0 14 15\">\n                <path class=\"block-read-more-button-icon-svg-plus\" fill=\"#000\" fill-rule=\"evenodd\" d=\"M5.432 8.961H0v-3.08h5.432V.421h3.136v5.46H14v3.08H8.568v5.46H5.432z\"\/>\n\t\t\t\t<path class=\"block-read-more-button-icon-svg-minus\" fill=\"#FFF\" fill-rule=\"evenodd\" d=\"M0 .253h14V3.39H0z\"\/>\n            <\/svg>\n        <\/div>\n\t\t<div class=\"block-read-more-buttons\">\n\t\t    <h6 class=\"block-read-more-button-copy\">read more<\/h6>\n\t\t\t<h6 class=\"block-read-less-button-copy\">read less<\/h6>\n\t\t<\/div>\n\t<\/div>\n\n    <div class=\"block-read-more-content\">\n\n\n\n<section class=\"block block-copy block-margin-remove\" style=\"text-align: left\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                        <div class=\"col-xs-12 col-sm-8 col-sm-offset-2\">\n                <div class=\"box\">\n                    <div class=\"copy editor\"><p>The exhibition reflects the early self-assurance of the Renaissance artist, the magnificent spectacle of the self in the Baroque, the sentimental subjectivity in Romantic self-portraiture, the unsparing view of the self in modern art, and finally the obsessive questioning of the self in the era of photography and video.<\/p>\n<p>The exhibition especially reveals the shifting faces of French, British, and German art production, with the some 1oo featured works coming from three major European collections that complement each other brilliantly: Lyon\u2019s Mus\u00e9e des Beaux-Arts, the National Galleries of Scotland in Edinburgh, and the Staatliche Kunsthalle Karlsruhe.<\/p>\n<p>Held as part of the EU-funded project <em>I Am Here: European Faces<\/em>, the exhibition includes works by Palma Vecchio, Gustave Courbet, Anselm Feuerbach, Ernst Ludwig Kirchner, Henri Matisse, Max Beckmann, Andy Warhol, Marina Abramovi\u0107, Tracey Emin. Launched in Karlsruhe, the show will later travel to Lyon and Edinburgh.<\/p>\n                        \n\n                        <\/div>\n                <\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\n\n        <div class=\"block-read-more-button\">\n            <div class=\"block-read-more-button-icon minus\">\n                <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"14\" height=\"4\" viewBox=\"0 0 14 4\">\n                    <path fill=\"#FFF\" fill-rule=\"evenodd\" d=\"M0 .253h14V3.39H0z\"\/>\n                <\/svg>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n<section class=\"block block-copy-floating-text block-margin-remove\" >\n    <div class=\"container-fluid\">\n                    <div class=\"row center-xs\">\n                <div class=\"col-xs-12 col-sm-8\">\n                    <div class=\"box\">\n                        <h2>Facing the World<\/h2>\n                    <\/div>\n                <\/div>\n            <\/div>\n                <div class=\"row\">\n            <div class=\"col-xs-12 col-sm-10 left\">\n                <div class=\"box\">\n                    <div class=\"copy\">\n                        <div class=\"floating-element col-sm-5\">\n                            <div class=\"floating-element-content\">\n                                <div class=\"floating-element-content-wrapper\">\n                                    \t<div class=\"lazy-media\" id=\"media_6a144abb9176e\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"lazy-media-copyright-content-empty\" aria-hidden=\"true\" style=\"pointer-events: none; user-select: none;\">&nbsp;<\/span>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:111.60714285714%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-kirchner-269x300.jpg\",\"width\":269,\"height\":300,\"mime-type\":\"image\\\/jpeg\",\"filesize\":70480},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-kirchner-918x1024.jpg\",\"width\":918,\"height\":1024,\"mime-type\":\"image\\\/jpeg\",\"filesize\":729174},\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-kirchner-134x150.jpg\",\"width\":134,\"height\":150,\"mime-type\":\"image\\\/jpeg\",\"filesize\":20873},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-kirchner-768x857.jpg\",\"width\":768,\"height\":857,\"mime-type\":\"image\\\/jpeg\",\"filesize\":509492},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-kirchner-645x720.jpg\",\"width\":645,\"height\":720,\"mime-type\":\"image\\\/jpeg\",\"filesize\":362277},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-kirchner-1147x1280.jpg\",\"width\":1147,\"height\":1280,\"mime-type\":\"image\\\/jpeg\",\"filesize\":1134482},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-kirchner-1720x1920.jpg\",\"width\":1720,\"height\":1920,\"mime-type\":\"image\\\/jpeg\",\"filesize\":2448217},\"1536x1536\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-kirchner-1376x1536.jpg\",\"width\":1376,\"height\":1536,\"mime-type\":\"image\\\/jpeg\",\"filesize\":1611717},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-kirchner.jpg\",\"width\":1792,\"height\":2000}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb9176f\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Abbildung des Selbstportraits Ernst Ludwig Kirchners. Er sitzt an einem Tisch. Hinter ihm ist ein Ofen und ein Fenster.\" title=\"Ernst Ludwig Kirchner: The Painter (Self-Portrait), 1920 &copy; Staatliche Kunsthalle Karlsruhe\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-kirchner.jpg\" alt=\"Abbildung des Selbstportraits Ernst Ludwig Kirchners. Er sitzt an einem Tisch. Hinter ihm ist ein Ofen und ein Fenster.\" title=\"Ernst Ludwig Kirchner: The Painter (Self-Portrait), 1920 &copy; Staatliche Kunsthalle Karlsruhe\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n<div class=\"partial imdas-icon\">\n    <img decoding=\"async\" src=\"\/partials\/imdas-icon\/assets\/icon.svg\" alt=\"\" \/>\n<\/div>\n                                    <a href=\"https:\/\/www.kunsthalle-karlsruhe.de\/gallery\/?view=WzU0MDNd\" class=\"mixin-motion-link\" data-src=\"\/blocks\/block-copy-floating-image\/assets\/lupe_neg.json\" data-hover-out=\"1\"><\/a>\n                                <\/div>\n                                <h6 class=\"text-align-left\">Ernst Ludwig Kirchner: The Painter (Self-Portrait), 1920 \u00a9 Staatliche Kunsthalle Karlsruhe<\/h6>\n                            <\/div>\n                        <\/div>\n\n                        <div class=\"floating-copy editor col-sm-offset-2\">\n                            <h3>Self-Portraits from Rembrandt to Ai Weiwei<\/h3>\n<h4>16 July\u201316 October 2016, National Galleries of Scotland Edinburgh<\/h4>\n<p><em>Facing the World: Self-Portraits from Rembrandt to Ai Weiwei<\/em> at the Scottish National Portrait Gallery will explore the intense fascination with which artists have turned their gaze upon themselves, and will offer a very rich survey of self-portraiture from the sixteenth century to the present day.<\/p>\n                            \n\n                            <\/div>\n                    <\/div>\n                <\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\n<div class=\"block-read-more\">\n    <div class=\"block-read-more-button plus\">\n        <div class=\"block-read-more-button-icon\">\n            <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"14\" height=\"15\" viewBox=\"0 0 14 15\">\n                <path class=\"block-read-more-button-icon-svg-plus\" fill=\"#000\" fill-rule=\"evenodd\" d=\"M5.432 8.961H0v-3.08h5.432V.421h3.136v5.46H14v3.08H8.568v5.46H5.432z\"\/>\n\t\t\t\t<path class=\"block-read-more-button-icon-svg-minus\" fill=\"#FFF\" fill-rule=\"evenodd\" d=\"M0 .253h14V3.39H0z\"\/>\n            <\/svg>\n        <\/div>\n\t\t<div class=\"block-read-more-buttons\">\n\t\t    <h6 class=\"block-read-more-button-copy\">read more<\/h6>\n\t\t\t<h6 class=\"block-read-less-button-copy\">read less<\/h6>\n\t\t<\/div>\n\t<\/div>\n\n    <div class=\"block-read-more-content\">\n\n\n<section class=\"block block-copy-image\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-5 col-sm-offset-1\">\n                    <div class=\"box block-copy-image-copy\">\n                                                <div class=\"copy editor exception-align-left\"><p><em>Facing the World<\/em> will highlight the outstanding strengths of three great European collections, those of the Staatliche Kunsthalle, in Karlsruhe, Germany, the Mus\u00e9e des Beaux-Arts, Lyon, in France, and the National Galleries of Scotland. It will feature an astonishing selection of over 140 works, spanning six centuries, in a wide range of media, including drawings, prints, paintings, photographs, video and social media.<\/p>\n<p>Highlights will include one of Rembrandt\u2019s most memorable self-portraits, painted at the age of 51, and stunning works by Simon Vouet, Allan Ramsay, Hyacinthe Rigaud, David Wilkie, Gustave Courbet, Edvard Munch, Paul Klee, Andy Warhol, Marina Abramovic, Douglas Gordon, Sarah Lucas and Annie Lennox. It will also bring together many superb works unfamiliar to British audiences, including self-portraits by the Italian Futurist Gino Severini, and the German Expressionist Ernst Ludwig Kirchner.<\/p>\n<p>In an age when issues of identity and questions about how we present ourselves to the world are being widely addressed this ambitious international project will prove thought-provoking and inspiring. <em>Facing the World<\/em> will also feature interactive installations which will allow visitors to make portraits of themselves, and so contribute to a vibrant composite digital self-portrait of those who have taken part.<\/p>\n                            \n\n                            <\/div>\n                    <\/div>\n                <\/div>\n\n                <div class=\"col-xs-12 col-sm-6\">\n                    <div class=\"box\">\n                                            <\/div>\n                <\/div>\n                                <\/div>\n    <\/div>\n<\/section>\n\n\n        <div class=\"block-read-more-button\">\n            <div class=\"block-read-more-button-icon minus\">\n                <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"14\" height=\"4\" viewBox=\"0 0 14 4\">\n                    <path fill=\"#FFF\" fill-rule=\"evenodd\" d=\"M0 .253h14V3.39H0z\"\/>\n                <\/svg>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n<section class=\"block block-copy-floating-text block-margin-remove\" >\n    <div class=\"container-fluid\">\n                    <div class=\"row center-xs\">\n                <div class=\"col-xs-12 col-sm-8\">\n                    <div class=\"box\">\n                        <h2>Autoportaits<\/h2>\n                    <\/div>\n                <\/div>\n            <\/div>\n                <div class=\"row\">\n            <div class=\"col-xs-12 col-sm-10 left\">\n                <div class=\"box\">\n                    <div class=\"copy\">\n                        <div class=\"floating-element col-sm-5\">\n                            <div class=\"floating-element-content\">\n                                <div class=\"floating-element-content-wrapper\">\n                                    \t<div class=\"lazy-media\" id=\"media_6a144abb92a17\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\t \t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:142.85714285714%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-frenet-105x150.jpg\",\"width\":105,\"height\":150,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-frenet-210x300.jpg\",\"width\":210,\"height\":300,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-frenet-768x1097.jpg\",\"width\":768,\"height\":1097,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-frenet-717x1024.jpg\",\"width\":717,\"height\":1024,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-frenet-504x720.jpg\",\"width\":504,\"height\":720,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-frenet-896x1280.jpg\",\"width\":896,\"height\":1280,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-frenet-1344x1920.jpg\",\"width\":1344,\"height\":1920,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-frenet.jpg\",\"width\":1400,\"height\":2000}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb92a18\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Abbildung des Werks &quot;Selbstbildnis als Akt&quot; von Jean-Baptiste Frenet aus den Jahren 1850\/60. Der K&uuml;nstler sitzt nackt auf einem Fels und zeigt mit seiner Rechten Hand in die Ferne.\" title=\"Jean-Baptiste Frenet: Nude Self-Portrait, 1850\/60 &copy; Lyon MBA, Foto: Alain Basset\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-frenet.jpg\" alt=\"Abbildung des Werks &quot;Selbstbildnis als Akt&quot; von Jean-Baptiste Frenet aus den Jahren 1850\/60. Der K&uuml;nstler sitzt nackt auf einem Fels und zeigt mit seiner Rechten Hand in die Ferne.\" title=\"Jean-Baptiste Frenet: Nude Self-Portrait, 1850\/60 &copy; Lyon MBA, Foto: Alain Basset\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n                                    <a href=\"https:\/\/www.kunsthalle-karlsruhe.de\/gallery\/?view=WzU0MDBd\" class=\"mixin-motion-link\" data-src=\"\/blocks\/block-copy-floating-image\/assets\/lupe_neg.json\" data-hover-out=\"1\"><\/a>\n                                <\/div>\n                                <h6 class=\"text-align-left\">Jean-Baptiste Frenet: Nude Self-Portrait, 1850\/60 \u00a9 Lyon MBA, Foto: Alain Basset<\/h6>\n                            <\/div>\n                        <\/div>\n\n                        <div class=\"floating-copy editor col-sm-offset-2\">\n                            <h3>From Rembrandt to the selfie<\/h3>\n<h4>26 March\u201326 June 2016, Mus\u00e9e des Beaux-Arts de Lyon<\/h4>\n<p>The self-portrait is a genre in itself. A self-portrait conveys information, not just about the style of the epoch in which it was made, but also about the personality of the artist who made it, and his or her social and historical environment. In the digital age, a far-reaching analysis of the tradition of the self-portrait seems relevant and pressing, for the very reason that in recent years the global spread of smartphones has resulted in the emergence of a massive social phenomenon: the taking of selfies.<\/p>\n                            \n\n                            <\/div>\n                    <\/div>\n                <\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\n<div class=\"block-read-more\">\n    <div class=\"block-read-more-button plus\">\n        <div class=\"block-read-more-button-icon\">\n            <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"14\" height=\"15\" viewBox=\"0 0 14 15\">\n                <path class=\"block-read-more-button-icon-svg-plus\" fill=\"#000\" fill-rule=\"evenodd\" d=\"M5.432 8.961H0v-3.08h5.432V.421h3.136v5.46H14v3.08H8.568v5.46H5.432z\"\/>\n\t\t\t\t<path class=\"block-read-more-button-icon-svg-minus\" fill=\"#FFF\" fill-rule=\"evenodd\" d=\"M0 .253h14V3.39H0z\"\/>\n            <\/svg>\n        <\/div>\n\t\t<div class=\"block-read-more-buttons\">\n\t\t    <h6 class=\"block-read-more-button-copy\">read more<\/h6>\n\t\t\t<h6 class=\"block-read-less-button-copy\">read less<\/h6>\n\t\t<\/div>\n\t<\/div>\n\n    <div class=\"block-read-more-content\">\n\n\n\n<section class=\"block block-copy\" style=\"text-align: left\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                        <div class=\"col-xs-12 col-sm-8 col-sm-offset-2\">\n                <div class=\"box\">\n                    <div class=\"copy editor\"><p>On show in the exhibition are more than 130 paintings, drawings, prints, photographs, sculptures, and videos dating from between the Renaissance and the 21st century. The majority of works come from the rich collections of the three partner museums, but also included are loans from Lyon-based private collectors, the ZKM Karlsruhe, and the Mus\u00e9e d\u2019art contemporain de Lyon. The exhibition questions the genre\u2019s artistic practices, defines the typology of self-portraiture, and underscores its unique characteristics. It shows the diversity of artistic possibilities that the genre has to offer, ranging from self-portrait-as-performance, to the artist\u2019s image &#8216;smuggled&#8217; into works in another genre, to the mere allusion of self. The exhibition takes a special look at the production of self-portraits by German, Scottish, and Lyon-based artists.<\/p>\n<h3>The exhibition&#8217;s chapters<\/h3>\n<p>The exhibition is divided into five chapters (The artist&#8217;s gaze \u2013 The artist at work \u2013 The artist and family \u2013 The artist staged \u2013 The body of the artist), which explore the typology of the self-portrait and its evolution over the centuries. Accompanying the exhibition is a catalogue in three languages (German, French, English).<\/p>\n<h3>The visitors and their self-portraits<\/h3>\n<p>In parallel to the exhibition, several activities have been developed that purposefully involve the audience in the project. Particularly noteworthy is the ZKM\u2019s digital installation which encourages visitors to take their portraits before leaving the exhibition. Their snapshots are then selected through an automatic scanning process and assembled to form a huge portrait of exhibition-goers. This project also allows visitors to participate in the exhibition long after their visit, by getting involved online and via social Networks.<\/p>\n<h3>Me, myself and I<\/h3>\n<p>Designed specifically for school groups aged 11 and up, this guide is on offer during the exhibition&#8217;s entire run. It was developed in cooperation with the ZKM and includes a visit to the art-appreciation room, where works produced in workshops are on show. Please note: educators must give notice of their planned school-group visit in advance.<\/p>\n<p>On 14 and 15 May 2016 workshops will be held at the Kunsthalle, conceived and led by artists from all three partner countries. The participants (ages 14 to 18) will be selected by teachers in response to a selfie competition launched on social networks. The works produced in these workshops will then go on display in the art-appreciation room.<\/p>\n<p>On Friday afternoons and during the school holidays, a range of special workshops and tours is on offer, allowing younger visitors to experience the exhibition through playful activities.<\/p>\n                        \n\n                        <\/div>\n                <\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\n\n        <div class=\"block-read-more-button\">\n            <div class=\"block-read-more-button-icon minus\">\n                <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"14\" height=\"4\" viewBox=\"0 0 14 4\">\n                    <path fill=\"#FFF\" fill-rule=\"evenodd\" d=\"M0 .253h14V3.39H0z\"\/>\n                <\/svg>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n\n<section class=\"block block-copy block-margin-remove\" style=\"text-align: left\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-8 col-sm-offset-2\">\n                    <div class=\"box\">\n                        <h2  >Art project FLICK_EU | Joint Project with ZKM<\/h2>                    <\/div>\n                <\/div>\n                        <div class=\"col-xs-12 col-sm-8 col-sm-offset-2\">\n                <div class=\"box\">\n                    <div class=\"copy editor\"><p>FLICK_EU harnesses the democratic promise of new media: all visitors are encouraged to make portraits of themselves and to present them in the museum and online. Parallel to the touring exhibition in Karlsruhe, Lyon, and Edinburgh a European portrait gallery will emerge and grow on the interactive platform FLICK_EU.<\/p>\n                                    <div>\n                <a href=\"http:\/\/flick.zkm.de\/\" title=\"FLICK_KA\" class=\"button    \" target=\"_self\" >\n                                        <span>FLICK_KA<\/span>\n                <\/a>\n                <\/div>\n    \n\n                        <\/div>\n                <\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\n<div class=\"block-read-more\">\n    <div class=\"block-read-more-button plus\">\n        <div class=\"block-read-more-button-icon\">\n            <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"14\" height=\"15\" viewBox=\"0 0 14 15\">\n                <path class=\"block-read-more-button-icon-svg-plus\" fill=\"#000\" fill-rule=\"evenodd\" d=\"M5.432 8.961H0v-3.08h5.432V.421h3.136v5.46H14v3.08H8.568v5.46H5.432z\"\/>\n\t\t\t\t<path class=\"block-read-more-button-icon-svg-minus\" fill=\"#FFF\" fill-rule=\"evenodd\" d=\"M0 .253h14V3.39H0z\"\/>\n            <\/svg>\n        <\/div>\n\t\t<div class=\"block-read-more-buttons\">\n\t\t    <h6 class=\"block-read-more-button-copy\">read more<\/h6>\n\t\t\t<h6 class=\"block-read-less-button-copy\">read less<\/h6>\n\t\t<\/div>\n\t<\/div>\n\n    <div class=\"block-read-more-content\">\n\n\n\n<section class=\"block block-copy block-margin-remove\" style=\"text-align: left\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                        <div class=\"col-xs-12 col-sm-8 col-sm-offset-2\">\n                <div class=\"box\">\n                    <div class=\"copy editor\"><h3>FLICK_EU<\/h3>\n<p>Peter Weibel (1944 Odessa), Matthias Gommel (1970 Leonberg)<br \/>\nFLICK_EU, 2007\/2015<br \/>\nInteractive installation: A photo-booth, a computer, four monitors<\/p>\n<p>In FLICK_EU visitors have their portraits taken and become part of the exhibition. When a coin is inserted into the slot at the photo-booths, the usual passport photo is ejected. Simultaneously, the photograph is digitised and uploaded to the internet. From there it is relayed to museums, including the Kunsthalle, where it can be displayed, either on a monitor or as a projected image. Thanks to digitisation, the portrait can be displayed in several places at once. Visitors to the exhibition in Karlsruhe will be visible in Karlsruhe, Edinburgh and Lyon, their actual visit to the Kunsthalle thus leading to their virtual presence in two other museums. Projekt FLICK_EU is an artistic reflection of the function of the portrait in the age of digital media. At the same time, it fulfils the conditions for a community, since the visitor is also virtually present in other museums and cities. Thus the project creates a model in miniature of the European community.<\/p>\n<h3>FLICK_EU MIRROR<\/h3>\n<p>Bernd Lintermann (1967 D\u00fcsseldorf), Joachim Tesch (1969 M\u00fcnsingen)<br \/>\nFLICK_EU MIRROR<br \/>\nInteractive installation based on the installation FLICK_EU by Peter Weibel and Matthias Gommel<\/p>\n<p>Another perspective on the community of FLICK_EU citizens is provided by the installation FLICK_EU MIRROR. The visitor sees a live video of himself projected in front of him, which behaves like a mirror image. After a short while, the image becomes coarser and he realises that the individual pixels are portrait photos of people who have taken part in FLICK_EU. His own image is composed, like a mosaic, from the images of many other people. The virtual camera zooms over the frozen image, focussing on individual portraits. The visitor may even see himself, if he has recently digitised his photo in FLICK_EU. After a few minutes, his own mirror image reappears, emerging as an individual from the general community.<\/p>\n                        \n\n                        <\/div>\n                <\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\n\n        <div class=\"block-read-more-button\">\n            <div class=\"block-read-more-button-icon minus\">\n                <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"14\" height=\"4\" viewBox=\"0 0 14 4\">\n                    <path fill=\"#FFF\" fill-rule=\"evenodd\" d=\"M0 .253h14V3.39H0z\"\/>\n                <\/svg>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n<section class=\"block block-copy-floating-text block-margin-remove\" >\n    <div class=\"container-fluid\">\n                    <div class=\"row center-xs\">\n                <div class=\"col-xs-12 col-sm-8\">\n                    <div class=\"box\">\n                        <h2>Tweetup #Iamhere<\/h2>\n                    <\/div>\n                <\/div>\n            <\/div>\n                <div class=\"row\">\n            <div class=\"col-xs-12 col-sm-10 left\">\n                <div class=\"box\">\n                    <div class=\"copy\">\n                        <div class=\"floating-element col-sm-5\">\n                            <div class=\"floating-element-content\">\n                                <div class=\"floating-element-content-wrapper\">\n                                    \t<div class=\"lazy-media\" id=\"media_6a144abb94310\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"lazy-media-copyright-content-empty\" aria-hidden=\"true\" style=\"pointer-events: none; user-select: none;\">&nbsp;<\/span>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:84.21875%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-tweetup-ohne-150x126.jpg\",\"width\":150,\"height\":126,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-tweetup-ohne-300x253.jpg\",\"width\":300,\"height\":253,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-tweetup-ohne-768x647.jpg\",\"width\":768,\"height\":647,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-tweetup-ohne-1024x862.jpg\",\"width\":1024,\"height\":862,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-tweetup-ohne-720x606.jpg\",\"width\":720,\"height\":606,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-tweetup-ohne-1280x1078.jpg\",\"width\":1280,\"height\":1078,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-tweetup-ohne-1920x1617.jpg\",\"width\":1920,\"height\":1617,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-tweetup-ohne.jpg\",\"width\":1920,\"height\":1617}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/06\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb94311\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Eine junge Frau macht vor einem alten Gem&auml;lde mit Goldrahmen ein Selfie. Auf dem Bild sind Twitterlogos eingef&uuml;gt.\" title=\"Tweetup #Iamhere\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/06\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-tweetup-ohne.jpg\" alt=\"Eine junge Frau macht vor einem alten Gem&auml;lde mit Goldrahmen ein Selfie. Auf dem Bild sind Twitterlogos eingef&uuml;gt.\" title=\"Tweetup #Iamhere\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n                                    <a href=\"https:\/\/www.kunsthalle-karlsruhe.de\/gallery\/?view=WzU1NTFd\" class=\"mixin-motion-link\" data-src=\"\/blocks\/block-copy-floating-image\/assets\/lupe_neg.json\" data-hover-out=\"1\"><\/a>\n                                <\/div>\n                                <h6 class=\"text-align-left\"><\/h6>\n                            <\/div>\n                        <\/div>\n\n                        <div class=\"floating-copy editor col-sm-offset-2\">\n                            <p>We invited Twitterati to descend on Karlsruhe to take part in an exclusive guided walk-through and tweet about the exhibition live. For those of you who couldn&#8217;t make it to the exhibition in person, you can still find out everything you need to know about the exhibition via the #Iamhere hashtag \u2013 in three languages. We received many tweets from Lyon and Edinburgh.<\/p>\n                            \n\n                            <\/div>\n                    <\/div>\n                <\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\n<div class=\"block-read-more\">\n    <div class=\"block-read-more-button plus\">\n        <div class=\"block-read-more-button-icon\">\n            <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"14\" height=\"15\" viewBox=\"0 0 14 15\">\n                <path class=\"block-read-more-button-icon-svg-plus\" fill=\"#000\" fill-rule=\"evenodd\" d=\"M5.432 8.961H0v-3.08h5.432V.421h3.136v5.46H14v3.08H8.568v5.46H5.432z\"\/>\n\t\t\t\t<path class=\"block-read-more-button-icon-svg-minus\" fill=\"#FFF\" fill-rule=\"evenodd\" d=\"M0 .253h14V3.39H0z\"\/>\n            <\/svg>\n        <\/div>\n\t\t<div class=\"block-read-more-buttons\">\n\t\t    <h6 class=\"block-read-more-button-copy\">read more<\/h6>\n\t\t\t<h6 class=\"block-read-less-button-copy\">read less<\/h6>\n\t\t<\/div>\n\t<\/div>\n\n    <div class=\"block-read-more-content\">\n\n\n\n<section class=\"block block-copy block-margin-remove\" style=\"text-align: left\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-8 col-sm-offset-2\">\n                    <div class=\"box\">\n                        <h2  >Blogparade #selfierade<\/h2>                    <\/div>\n                <\/div>\n                        <div class=\"col-xs-12 col-sm-8 col-sm-offset-2\">\n                <div class=\"box\">\n                    <div class=\"copy editor\"><p>The Staatliche Kunsthalle Karlsruhe and <a href=\"https:\/\/www.kulturkonsorten.de\/\">Kulturkonsorten<\/a> were launching a discussion and #Blogparade across social networks on the topic of selfies and wanted the public to get involved. The cause for the discussion was the exhibition I am here: From Rembrandt to the Selfie. To kick-start the discussion we were posting an exclusive preview of an essay from the exhibition catalogue, written by the art historian and cultural theorist Wolfgang Ullrich and dealing with the topic of selfies. The essay was posted on the Kunsthalle\u2019s and Kulturkonsorten\u2019s websites. In anticipation of the exhibition, the Kunsthalle involved commentators who came up with five posts to get the ball rolling by addressing the topic from five different angles. The #Blogparade around the hashtag #selfierade achieved many inspiring blogposts.<\/p>\n                        \n\n                        <\/div>\n                <\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\n\n<section class=\"block block-copy block-margin-remove\" style=\"text-align: left\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-8 col-sm-offset-2\">\n                    <div class=\"box\">\n                        <h2  >Instagram Photo Competition<\/h2>                    <\/div>\n                <\/div>\n                        <div class=\"col-xs-12 col-sm-8 col-sm-offset-2\">\n                <div class=\"box\">\n                    <div class=\"copy editor\"><p>A digital self-portrait only becomes a selfie when it is shared, liked, and commented on. In cooperation with the photography project <em>This Ain\u2019t Art School<\/em> (@thisaintartschool) the Kunsthalle was holding a competition in the middle of January in which participants were given four tasks related to self-portraits and selfies. Creative contributions were posted on Instagram under the hashtag #portraitassignment_ka.<\/p>\n                        \n\n                        <\/div>\n                <\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\n\n        <div class=\"block-read-more-button\">\n            <div class=\"block-read-more-button-icon minus\">\n                <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"14\" height=\"4\" viewBox=\"0 0 14 4\">\n                    <path fill=\"#FFF\" fill-rule=\"evenodd\" d=\"M0 .253h14V3.39H0z\"\/>\n                <\/svg>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n<section class=\"block block-accordion\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n            <div class=\"col-xs-12 col-sm-10 col-sm-offset-1\">\n                <div class=\"box\">\n                    <h2  >The Project<\/h2>\n\n                                            \n                            <div class=\"block-accordion-item\" aria-expanded=\"false\">\n                                <button class=\"reset-style block-accordion-item-head\" aria-controls=\"acc_6a144abb95232\" id=\"acc_title_6a144abb95233\">\n                                    <strong aria-labelledby=\"acc_title_6a144abb95233\">I am here!<\/strong>\n                                <\/button>\n\n                                <div class=\"block-accordion-item-content editor\" id=\"acc_6a144abb95232\" role=\"region\">\n                                    <p>On show are 140 works by 100 artists from six centuries \u2013 a richly diverse panorama of self-portraiture in old and new media, from the intimate drawing to the selfie going viral on the World Wide Web, from Palma Vecchio to Ai Weiwei. Three European museums \u2013 the Mus\u00e9e des Beaux-Arts in Lyon, National Galleries of Scotland in Edinburgh, and Staatliche Kunsthalle Karlsruhe \u2013 have joined forces to produce this trinational art event. The project <em>I am here. European faces<\/em> has received generous support from the EU as part of the <a href=\"https:\/\/ec.europa.eu\/programmes\/creative-europe\/\">Creative Europe programme<\/a> \u2013 managed by the <a href=\"https:\/\/eacea.ec.europa.eu\/homepage_en\">EACEA (Education, Audiovisual and Culture Executive Agency)<\/a>. Creative Europe is the new programme launched by the European Union for the cultural and creative sector in Europe for the period 2014 to 2020.<\/p>\n<p>The exhibitions in Karlsruhe, Lyon, and Edinburgh will adopt different strategies in approaching this theme, as reflected in their slightly varying choice of exhibition titles. The curatorial perspectives on the combined works and the architectural settings of the displays will naturally vary from country to country, each time opening up new facets and interpretations of the exhibition for visitors. This website combines all three variations of the exhibition in one place, in German, English, and French.<\/p>\n                                    \n\n                                    <\/div>\n                            <\/div>\n                        \n                            <div class=\"block-accordion-item\" aria-expanded=\"false\">\n                                <button class=\"reset-style block-accordion-item-head\" aria-controls=\"acc_6a144abb95371\" id=\"acc_title_6a144abb95372\">\n                                    <strong aria-labelledby=\"acc_title_6a144abb95372\">Welcome<\/strong>\n                                <\/button>\n\n                                <div class=\"block-accordion-item-content editor\" id=\"acc_6a144abb95371\" role=\"region\">\n                                    <h4>Pia M\u00fcller-Tamm<br \/>\nDirector, Staatliche Kunsthalle Karlsruhe<\/h4>\n<p>&#8220;As the first leg in the European joint project &#8216;I am here!&#8217;, let me say a warm welcome to visitors to this website and the exhibition in Karlsruhe! With our partners in Lyon and Edinburgh, we\u2019re opening up a fascinating panorama of self-portraits \u2013 showing 500 years of creative Europe. Get involved in the exhibition in your country through the FLICK_EU art project and become part of a European portrait gallery.&#8221;<\/p>\n<h4>Sylvie Ramond<br \/>\nConservator in chief, Director of the Museum of Fine Arts, Lyon<\/h4>\n<p>&#8220;Welcome to all! Dear visitors, We are very happy to join in with our collection and present you the touring exhibition &#8216;I am here!&#8217;. We hope you will enjoy discovering the diverse works of art contributed by the three museums united across Europe through the exhibition. See you soon in Lyon, shortly after the first stop in Karlsruhe.&#8221;<\/p>\n<h4>Sir John Leighton<br \/>\nDirector General, National Galleries of Scotland<\/h4>\n<p>&#8220;The National Galleries of Scotland are very excited to be a partner in the Creative Europe project: &#8216;I am here. European Faces&#8217;. We look forward to exploring artistic identity through the collections of the three partner countries in the forthcoming exhibition once it arrives at the Scottish National Portrait Gallery, Edinburgh in summer 2016.&#8221;<\/p>\n                                    \n\n                                    <\/div>\n                            <\/div>\n                        \n                            <div class=\"block-accordion-item\" aria-expanded=\"false\">\n                                <button class=\"reset-style block-accordion-item-head\" aria-controls=\"acc_6a144abb954ff\" id=\"acc_title_6a144abb95500\">\n                                    <strong aria-labelledby=\"acc_title_6a144abb95500\">Partnering museums<\/strong>\n                                <\/button>\n\n                                <div class=\"block-accordion-item-content editor\" id=\"acc_6a144abb954ff\" role=\"region\">\n                                    <p>Three partners in Karlsruhe, Lyon, and Edinburgh present the travelling exhibition, &#8220;I am here!&#8221;: three museum institutions that were among the earliest of their kind to be founded in their respective countries, in the 19th century. All three collect art in all media, ranging from the early modern period to the present. All three collections boast seminal works of European art history, as well as lesser-known works by locally active artists.<\/p>\n<h4>Mus\u00e9e des Beaux-Arts de Lyon<\/h4>\n<p>Founded in 1801, the Fine Arts Museum of Lyon is housed within the walls of a majestic Benedictine abbey, which was built in the second half of the 17th century. A four-sided construction, the museum surrounds cloisters and a peaceful garden featuring sculptures by Rodin, Bourdelle and others. The 7000 m\u00b2 museum has 70 exhibition rooms which are home to outstanding collections of antique art from Egypt, the Near and Middle East to Greece and Rome, art objects from the Middle Ages to the 20th century, coins and medals from antiquity to the present day, sculptures by Chinard, Canova, Pradier and others as well as graphic arts and classical paintings, including works by Perugino, Veronese, Rubens and Rembrandt, impressionists such as Renoir, Monet, Van Gogh and Gauguin, and modernists, most notably Picasso, Chagall, Matisse and Soulages. The Fine Arts museum of Lyon organises major international exhibitions throughout the year as well as cultural activities for all audience groups.<\/p>\n<p><a href=\"http:\/\/www.mba-lyon.fr\/mba\/sections\/languages\/welcome\">www.mba-lyon.fr<\/a><\/p>\n<h4>National Galleries of Scotland<\/h4>\n<p>The National Galleries of Scotland is one of the most important museum groups in Europe. Based in Edinburgh, its collection is divided into three major groupings: the Scottish National Gallery, with its outstanding collection of European painting from the Renaissance to post-Impressionism; the Scottish National Portrait Gallery, with a strong and deliberate focus on Scottish portraiture and Scottish portrait photography that allows visitors to trace the history of the country through portraits and cultural-historical objects; and, thirdly, the Scottish National Gallery of Modern Art, a gallery of Scottish and international art dating from 1900 onwards, notable for the strength of its collection of Dada and Surrealist art. Each of the three museums has its own building dedicated to it and is known for holding internationally renowned exhibitions.<\/p>\n<p><a href=\"https:\/\/www.nationalgalleries.org\/\">www.nationalgalleries.org<\/a><\/p>\n                                    \n\n                                    <\/div>\n                            <\/div>\n                        \n                            <div class=\"block-accordion-item\" aria-expanded=\"false\">\n                                <button class=\"reset-style block-accordion-item-head\" aria-controls=\"acc_6a144abb957f4\" id=\"acc_title_6a144abb957f5\">\n                                    <strong aria-labelledby=\"acc_title_6a144abb957f5\">Interview with the curators<\/strong>\n                                <\/button>\n\n                                <div class=\"block-accordion-item-content editor\" id=\"acc_6a144abb957f4\" role=\"region\">\n                                    <p><strong>Each collection \u2013 from Karlsruhe, Lyon, and Edinburgh &#8211; is making a distinct contribution to the project. In what way? <\/strong><\/p>\n<p><strong>Dorit Sch\u00e4fer, Staatliche Kunsthalle Karlsruhe:<\/strong> The Kunsthalle Karlsruhe is strongly represented with wonderful Netherlandish paintings from the 17th century. For the Romantic period we can expect several outstanding self-portraits that are striking for their sensitivity and intensity of expression, such as the double portrait of the Winterhalter Brothers or Anselm Feuerbach\u2019s portrait of himself as a young man. Finally, we are providing several important works representative of the Neue Sachlichkeit or New Objectivity, a movement in fact closely associated with the city of Karlsruhe. Artists such as Georg Scholz, Wilhelm Schnarrenberger, and Karl Hubbuch captivate the eye with the cool precision of their painting. On show in Lyon and Edinburgh, their works will shed fresh light on German modern art, whose full scope has still not been quite realized abroad.<\/p>\n<p><strong>St\u00e9phane Paccoud, Mus\u00e9e des Beaux-Arts de Lyon:<\/strong> The selection of self-portraits from Lyon consists of mainly ancient and 19th century artworks. The museum of Fine Arts hosts one of the richest collections of 19th century art in France, and many artists from the Lyon school, which was one of the most important at this time, are represented in the exhibition. For instance, the self-portrait chosen for the poster of the exhibition at the Staatliche Kunsthalle in Karlsruhe was painted by Louis Janmot. The artist was Ingres\u2019 pupil, and only 18 years old when he painted this portrait, in 1832. This work has recently been acquired by the museum of Fine Arts, and is a characteristic example of the Lyon school.<\/p>\n<p><strong>Imogen Gibbon, National Galleries of Scotland Edinburgh:<\/strong> Paintings, drawings, photographs, prints, collage and sculpture from the collection of the National Galleries of Scotland (NGS) all feature in the exhibition. The earliest work is dated 1510 and the most recent artwork was made in 2012. To illustrate the wide range of works on display, the former is a black chalk drawing by the Italian artist Palma Vecchio \u2013 one of the most innovative and original painters in early sixteenth-century Venice. The latter is by Angela Palmer and is called Brain of the Artist. This is a sculpture and is based on MRI scans taken of the artist\u2019s brain, engraved on sixteen sheets of glass to create a three-dimensional image which appears to float in a glass chamber.<\/p>\n<p><strong>What were the special challenges in getting this project off the ground? Were there any surprises? <\/strong><\/p>\n<p><strong>Dorit Sch\u00e4fer, Karlsruhe:<\/strong> Working with colleagues from Edinburgh and Lyon was highly interesting, because it revealed different ways of working and sometimes different perspectives on the art. Visitors to the exhibition will get to encounter artists rarely represented in exhibitions in this country. For example: Louis Janmot\u2019s incredibly penetrating portrait of the artist as a young man or the bizarre self-portrait of Jean Baptiste Fr\u00e9net, who portrays his head melded on the muscular body of a nude from Michelangelo\u2019s Sistine Chapel. The exhibition has also expanded our horizon when it comes to contemporary British art, by featuring paintings by John Patrick Byrne, Ken Currie, and Alison Watt\u2014artists working outside the recognized mainstream of international contemporary art.<\/p>\n<p><strong>St\u00e9phane Paccoud, Lyon:<\/strong> What we have found very exciting is the professional interaction with our European counterparts and the exploration of practices that lie at the root of this common project between our three institutions. Comparing one another\u2019s work habits and sharing knowledge in a European context have led to this first exhibition and to the discovery of lesser-known artists from each of our three museums\u2019 collections\u2014discoveries soon to be shared with our visitors.<\/p>\n<p><strong>Imogen Gibbon, Edinburgh:<\/strong> Turning a long list of self-portraits into a final short list! There are around 400 self-portraits in the National Galleries of Scotland collection &#8211; the final number of portraits from the collection which feature in the exhibition are around 50.<\/p>\n<p><strong>The visitors in Karlsruhe, Lyon, and Edinburgh are supposed to participate in the project &#8211; why is that important for this exhibition? <\/strong><\/p>\n<p><strong>Dorit Sch\u00e4fer, Karlsruhe:<\/strong> Nowadays, in the age of the selfie, it isn\u2019t just artists who contemplate the question of self-depiction. It seemed imperative to us to use the exhibits to get the visitors directly involved in our exhibition. And the Flick_EU and Flick_EU Mirror project is a perfect example of that. With a photo booth installed in the exhibition, visitors can make a portrait of themselves and become part of the exhibition when it goes on show in all three cities. This interactive side-project within the exhibition opens up questions on the role of the individual, the urge to capture one\u2019s self-image, and the dissolution of the individual in masses and masses of digital images. The flood of selfies and self-portrait poses which threatens to overwhelm us on social networks can, however, also sharpen our senses in gauging the special qualities of the \u2018historical\u2019 self-portraits.<\/p>\n<p><strong>St\u00e9phane Paccoud, Lyon:<\/strong> The theme of the self-portrait has a very broad appeal in present-day culture, with the selfie becoming a contemporary habit. The exhibition contextualizes this concept in past periods of the history of art and provides new perspectives on the question of the self and its visual representation. Both actual visitors to the exhibition and a virtual audience (online and\/or via social media) can participate, either by sending in their own selfies and pictures or being part of the installation developed by the ZKM. This active participation enriches the content of the exhibition and enhances the visiting experience, and the audience\u2019s personal relationship with the three museums involved in this common project is strengthened as a result.<\/p>\n<p><strong>Imogen Gibbon, Edinburgh:<\/strong> The self-portrait naturally creates questions for the viewer &#8211; by participating in the exhibition, through the creation of their own photographic self-portrait, visitors will engage with these questions and pose answers in the same manner the artists on display in the exhibition have done. Self-portraits are fluid, in the sense there are no boundaries: born in Antiquity, matured in the Renaissance and familiar today for a myriad of reasons &#8211; here is an opportunity for visitors in three countries to place themselves in the next stage of the development of the self-portrait and consider their relationship in the wider world.<\/p>\n                                    \n\n                                    <\/div>\n                            <\/div>\n                                                            <\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\n\n<section class=\"block block-copy block-margin-remove\" style=\"text-align: left\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-8 col-sm-offset-2\">\n                    <div class=\"box\">\n                        <h2  >Learn more about the artworks<\/h2>                    <\/div>\n                <\/div>\n                        <div class=\"col-xs-12 col-sm-8 col-sm-offset-2\">\n                <div class=\"box\">\n                    <div class=\"copy editor\"><p>Brief information regarding the key works of art is provided below.<\/p>\n                        \n\n                        <\/div>\n                <\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/section>\n\n<div class=\"block-read-more\">\n    <div class=\"block-read-more-button plus\">\n        <div class=\"block-read-more-button-icon\">\n            <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"14\" height=\"15\" viewBox=\"0 0 14 15\">\n                <path class=\"block-read-more-button-icon-svg-plus\" fill=\"#000\" fill-rule=\"evenodd\" d=\"M5.432 8.961H0v-3.08h5.432V.421h3.136v5.46H14v3.08H8.568v5.46H5.432z\"\/>\n\t\t\t\t<path class=\"block-read-more-button-icon-svg-minus\" fill=\"#FFF\" fill-rule=\"evenodd\" d=\"M0 .253h14V3.39H0z\"\/>\n            <\/svg>\n        <\/div>\n\t\t<div class=\"block-read-more-buttons\">\n\t\t    <h6 class=\"block-read-more-button-copy\">read more<\/h6>\n\t\t\t<h6 class=\"block-read-less-button-copy\">read less<\/h6>\n\t\t<\/div>\n\t<\/div>\n\n    <div class=\"block-read-more-content\">\n\n\n<section class=\"block block-copy-image block-margin-remove\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-5 col-sm-offset-1\">\n                    <div class=\"box block-copy-image-copy\">\n                                                    <h2  >Louis Janmot: Self-Portrait, 1832<\/h2>                                                <div class=\"copy editor exception-align-left\"><p>This self-portrait, created when the artist was just eighteen, is the earliest known work by Louis Janmot. It was painted shortly after his admission to the Ecole des Beaux-Arts in Lyon and earned him first prize in the school\u2019s competition. The young painter holds the palette and brush as if he is about to set to work on the very painting we see before us. His determined face betrays the great ambitions he envisions for his chosen career. The picture is striking for the artist\u2019s penetrating gaze which seems to evoke the idea, popular among the Romantics, of artistic genius arising from the depths of the self.<\/p>\n                            \n\n                            <\/div>\n                    <\/div>\n                <\/div>\n\n                <div class=\"col-xs-12 col-sm-6\">\n                    <div class=\"box\">\n                        \t<div class=\"lazy-media\" id=\"media_6a144abb9687b\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\t\u00a9 Lyon MBA | Foto Alain Basset\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:124.76606363069%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-janmot-120x150.jpg\",\"width\":120,\"height\":150,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-janmot-240x300.jpg\",\"width\":240,\"height\":300,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-janmot-768x958.jpg\",\"width\":768,\"height\":958,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-janmot-821x1024.jpg\",\"width\":821,\"height\":1024,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-janmot-577x720.jpg\",\"width\":577,\"height\":720,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-janmot-1026x1280.jpg\",\"width\":1026,\"height\":1280,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-janmot-1539x1920.jpg\",\"width\":1539,\"height\":1920,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-janmot.jpg\",\"width\":1603,\"height\":2000}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb9687c\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Abbildung des Selbstportr&auml;ts von Louis Janmot aus dem Jahr 1832. Die K&uuml;nstlerin steht in einem grauen Kleid und h&auml;lt eine Palette und einen Pinsel in der Hand.\" title=\"Louis Janmot: Selbstportr&auml;t, 1832\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-janmot.jpg\" alt=\"Abbildung des Selbstportr&auml;ts von Louis Janmot aus dem Jahr 1832. Die K&uuml;nstlerin steht in einem grauen Kleid und h&auml;lt eine Palette und einen Pinsel in der Hand.\" title=\"Louis Janmot: Selbstportr&auml;t, 1832\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n                    <\/div>\n                <\/div>\n                                <\/div>\n    <\/div>\n<\/section>\n\n<section class=\"block block-copy-image block-margin-remove\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-5 col-sm-offset-1\">\n                    <div class=\"box block-copy-image-copy\">\n                                                    <h2  >Annie Lennox, Allan Martin: Self-Portrait, 2003<\/h2>                                                <div class=\"copy editor exception-align-left\"><p>Annie Lennox is one of Britain\u2019s most famous singer-songwriters and social activists and has been portrayed as such in countless photographs and films. This photograph is a reference to the self-portrait Lennox chose as the cover of her third solo album, Bare (2003). The two ageless, gender-neutral, and racially ambiguous images were made in cooperation with her partner, the graphic designer Allan Martin.<\/p>\n                            \n\n                            <\/div>\n                    <\/div>\n                <\/div>\n\n                <div class=\"col-xs-12 col-sm-6\">\n                    <div class=\"box\">\n                        \t<div class=\"lazy-media\" id=\"media_6a144abb97154\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\tScottish National Portrait Gallery \u00a9 2013 La Lennoxa Limited\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:126.18296529968%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lennox-119x150.jpg\",\"width\":119,\"height\":150,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lennox-238x300.jpg\",\"width\":238,\"height\":300,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lennox-768x969.jpg\",\"width\":768,\"height\":969,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lennox-812x1024.jpg\",\"width\":812,\"height\":1024,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lennox-571x720.jpg\",\"width\":571,\"height\":720,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lennox-1014x1280.jpg\",\"width\":1014,\"height\":1280,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lennox-1522x1920.jpg\",\"width\":1522,\"height\":1920,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lennox.jpg\",\"width\":1585,\"height\":2000}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb97155\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Selbstportr&auml;t der zeitgen&ouml;ssischen K&uuml;nstlerin Annie Lennox von Allan Martin aus dem Jahr 2003, das in der Ausstellung &quot;Ich bin hier&quot; vom 31. Oktober 2015 bis 31. Januar 2016 in der Staatlichen Kunsthalle Karlsruhe zu sehen war.\" title=\"Annie Lennox, Allan Martin: Selbstportr&auml;t, 2003\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lennox.jpg\" alt=\"Selbstportr&auml;t der zeitgen&ouml;ssischen K&uuml;nstlerin Annie Lennox von Allan Martin aus dem Jahr 2003, das in der Ausstellung &quot;Ich bin hier&quot; vom 31. Oktober 2015 bis 31. Januar 2016 in der Staatlichen Kunsthalle Karlsruhe zu sehen war.\" title=\"Annie Lennox, Allan Martin: Selbstportr&auml;t, 2003\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n                    <\/div>\n                <\/div>\n                                <\/div>\n    <\/div>\n<\/section>\n\n<section class=\"block block-copy-image block-margin-remove\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-5 col-sm-offset-1\">\n                    <div class=\"box block-copy-image-copy\">\n                                                    <h2  >Andy Warhol: Self-portrait with Fright Wig, 1986<\/h2>                                                <div class=\"copy editor exception-align-left\"><p>Andy Warhol is an iconic figure and his portrait is as legendary today as his art. He was preoccupied with his appearance throughout his lifetime and the silver wig became an integral part of his identity from the early sixties. After he had established himself as a successful Pop artist, self-portraits became increasingly important in his later oeuvre. His portraits from the sixties are based on pictures from photo booths that were enlarged, transformed into silk-screen prints and then transferred to canvas. When he began to work with Polaroids again twenty years later, a series emerged that he also reproduced as paintings. These four self-portraits demonstrate the significance that role-play and the wearing of different wigs and make-up had for the artist. If he were still alive today, he would no doubt be the king of the selfie.<\/p>\n                            \n\n                            <\/div>\n                    <\/div>\n                <\/div>\n\n                <div class=\"col-xs-12 col-sm-6\">\n                    <div class=\"box\">\n                        \t<div class=\"lazy-media\" id=\"media_6a144abb97a1b\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\t\u00a9 2015 The Andy Warhol Foundation for the Visual Arts, Inc. | Artists Rights Society (ARS), New York\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:131.57894736842%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-warhol-114x150.jpg\",\"width\":114,\"height\":150,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-warhol-228x300.jpg\",\"width\":228,\"height\":300,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-warhol-768x1011.jpg\",\"width\":768,\"height\":1011,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-warhol-778x1024.jpg\",\"width\":778,\"height\":1024,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-warhol-547x720.jpg\",\"width\":547,\"height\":720,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-warhol-973x1280.jpg\",\"width\":973,\"height\":1280,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-warhol-1459x1920.jpg\",\"width\":1459,\"height\":1920,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-warhol.jpg\",\"width\":1520,\"height\":2000}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb97a1c\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Selbstportr&auml;t von Andy Warhol aus dem Jahr 1986. Der K&uuml;nstler hat graue Haare und tr&auml;gt einen dunklen Rollkragenpullover.\" title=\"Andy Warhol: Selbstportr&auml;t mit &ldquo;Fright Wig&rdquo;, 1986\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-warhol.jpg\" alt=\"Selbstportr&auml;t von Andy Warhol aus dem Jahr 1986. Der K&uuml;nstler hat graue Haare und tr&auml;gt einen dunklen Rollkragenpullover.\" title=\"Andy Warhol: Selbstportr&auml;t mit &ldquo;Fright Wig&rdquo;, 1986\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n                    <\/div>\n                <\/div>\n                                <\/div>\n    <\/div>\n<\/section>\n\n<section class=\"block block-copy-image block-margin-remove\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-5 col-sm-offset-1\">\n                    <div class=\"box block-copy-image-copy\">\n                                                    <h2  >Anselm Feuerbach: Self-portrait as a Young Man, 1851\/52<\/h2>                                                <div class=\"copy editor exception-align-left\"><p>Anselm Feuerbach cultivated a personality cult that bordered on the insufferable and which was reflected in a profusion of self-portraits. Here the young Feuerbach draws inspiration from the painting techniques of Rembrandt, whose self-portraits he had studied closely. To achieve his penetrating gaze, Feuerbach often checked his physiognomy in a mirror. This portrait is a document both of self-scrutiny and self-posturing, with theatrical lighting that almost demonizes his aspect. It is what art-historians term a \u2018formula of pathos\u2019 that allows the artist, not shy of announcing his genius, to show his personality in just the right light \u2013 gas light, in this case.<\/p>\n                            \n\n                            <\/div>\n                    <\/div>\n                <\/div>\n\n                <div class=\"col-xs-12 col-sm-6\">\n                    <div class=\"box\">\n                        \t<div class=\"lazy-media\" id=\"media_6a144abb982e8\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"lazy-media-copyright-content-empty\" aria-hidden=\"true\" style=\"pointer-events: none; user-select: none;\">&nbsp;<\/span>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:124.68827930175%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-feuerbach-241x300.jpg\",\"width\":241,\"height\":300,\"mime-type\":\"image\\\/jpeg\",\"filesize\":57397},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-feuerbach-821x1024.jpg\",\"width\":821,\"height\":1024,\"mime-type\":\"image\\\/jpeg\",\"filesize\":696034},\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-feuerbach-120x150.jpg\",\"width\":120,\"height\":150,\"mime-type\":\"image\\\/jpeg\",\"filesize\":15843},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-feuerbach-768x958.jpg\",\"width\":768,\"height\":958,\"mime-type\":\"image\\\/jpeg\",\"filesize\":600096},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-feuerbach-577x720.jpg\",\"width\":577,\"height\":720,\"mime-type\":\"image\\\/jpeg\",\"filesize\":323769},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-feuerbach-1027x1280.jpg\",\"width\":1027,\"height\":1280,\"mime-type\":\"image\\\/jpeg\",\"filesize\":1128036},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-feuerbach-1540x1920.jpg\",\"width\":1540,\"height\":1920,\"mime-type\":\"image\\\/jpeg\",\"filesize\":2559764},\"1536x1536\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-feuerbach-1232x1536.jpg\",\"width\":1232,\"height\":1536,\"mime-type\":\"image\\\/jpeg\",\"filesize\":1637505},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-feuerbach.jpg\",\"width\":1604,\"height\":2000}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb982e9\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Abbildung des Werks &quot;Jugendliches Selbstbildnis&quot; von Anselm Feuerbach aus dem Jahr 1852\/53. Der K&uuml;nstler hat einen Schn&auml;uzer und mittellange braune Haare.\" title=\"Anselm Feuerbach: Jugendliches Selbstbildnis, 1852\/53 &copy; Staatliche Kunsthalle Karlsruhe\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-feuerbach.jpg\" alt=\"Abbildung des Werks &quot;Jugendliches Selbstbildnis&quot; von Anselm Feuerbach aus dem Jahr 1852\/53. Der K&uuml;nstler hat einen Schn&auml;uzer und mittellange braune Haare.\" title=\"Anselm Feuerbach: Jugendliches Selbstbildnis, 1852\/53 &copy; Staatliche Kunsthalle Karlsruhe\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n                    <\/div>\n                <\/div>\n                                <\/div>\n    <\/div>\n<\/section>\n\n<section class=\"block block-copy-image block-margin-remove\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-5 col-sm-offset-1\">\n                    <div class=\"box block-copy-image-copy\">\n                                                    <h2  >Simon Vouet: Self-portrait, c. 1626<\/h2>                                                <div class=\"copy editor exception-align-left\"><p>Simon Vouet\u2019s self-portrait effervesces with vitality. The carefully modelled face, with its finely executed shadows beneath the eyes and the slightly opened mouth, radiates great intensity. The painter\u2019s presence is intensified by dispensing with a depiction of the body. Clothing and surroundings are merely hinted at. It is uncertain whether the painting was created during Vouet\u2019s 15-year stay in Italy or once back in France. The painter returned in 1627. He was named court painter to Ludwig XIII in the same year and executed numerous prestigious commissions in the years thereafter.<\/p>\n                            \n\n                            <\/div>\n                    <\/div>\n                <\/div>\n\n                <div class=\"col-xs-12 col-sm-6\">\n                    <div class=\"box\">\n                        \t<div class=\"lazy-media\" id=\"media_6a144abb98bef\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\tMus\u00e9e des Beaux-Arts de Lyon \u00a9 Lyon MBA \u2013 Foto Alain Basset\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:125.5%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-vouet-120x150.jpg\",\"width\":120,\"height\":150,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-vouet-239x300.jpg\",\"width\":239,\"height\":300,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-vouet-768x964.jpg\",\"width\":768,\"height\":964,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-vouet-816x1024.jpg\",\"width\":816,\"height\":1024,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-vouet-574x720.jpg\",\"width\":574,\"height\":720,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-vouet-1020x1280.jpg\",\"width\":1020,\"height\":1280,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-vouet-1530x1920.jpg\",\"width\":1530,\"height\":1920,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-vouet.jpg\",\"width\":2000,\"height\":2510}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb98bf0\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Abbildung des Werks &quot;Selbstportrt&auml;t&quot; von Simonm Vouet aus dem Jahr 1626. Der K&uuml;nstler hat braune Haare, einen Ziegenbart und einen Schn&auml;uzer.\" title=\"Simon Vouet: Selbstportr&auml;t, um 1626\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-vouet.jpg\" alt=\"Abbildung des Werks &quot;Selbstportrt&auml;t&quot; von Simonm Vouet aus dem Jahr 1626. Der K&uuml;nstler hat braune Haare, einen Ziegenbart und einen Schn&auml;uzer.\" title=\"Simon Vouet: Selbstportr&auml;t, um 1626\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n                    <\/div>\n                <\/div>\n                                <\/div>\n    <\/div>\n<\/section>\n\n<section class=\"block block-copy-image block-margin-remove\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-5 col-sm-offset-1\">\n                    <div class=\"box block-copy-image-copy\">\n                                                    <h2  >Hans Thoma: Self-Portrait with Love and Death, 1875<\/h2>                                                <div class=\"copy editor exception-align-left\"><p>Hans Thoma\u2019s self-portrait is a direct reference to Self-portrait with Death Playing the Fiddle made by his friend Arnold B\u00f6cklin (Alte Nationalgalerie Berlin) in 1872. The message, however, has been clearly altered in Thoma\u2019s work: the laurel wreath as an attribute of death raises the question of whether an artist\u2019s fame can survive after he has died. The fact that the winged cherub bears a resemblance to Thoma\u2019s later wife Cella Bertenender, whom he had just met, turns the demonic melodrama of B\u00f6cklin\u2019s work into something positive. The painter portrays himself positioned between a small child and a skeleton, between life and death, but still with the certainty that \u2018amor vincit omnia\u2019\u2014love conquers all.<\/p>\n                            \n\n                            <\/div>\n                    <\/div>\n                <\/div>\n\n                <div class=\"col-xs-12 col-sm-6\">\n                    <div class=\"box\">\n                        \t<div class=\"lazy-media\" id=\"media_6a144abb99515\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"lazy-media-copyright-content-empty\" aria-hidden=\"true\" style=\"pointer-events: none; user-select: none;\">&nbsp;<\/span>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:123.60939431397%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-thoma-121x150.jpg\",\"width\":121,\"height\":150,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-thoma-243x300.jpg\",\"width\":243,\"height\":300,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-thoma-768x949.jpg\",\"width\":768,\"height\":949,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-thoma-828x1024.jpg\",\"width\":828,\"height\":1024,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-thoma-582x720.jpg\",\"width\":582,\"height\":720,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-thoma-1036x1280.jpg\",\"width\":1036,\"height\":1280,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-thoma-1553x1920.jpg\",\"width\":1553,\"height\":1920,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-thoma.jpg\",\"width\":1618,\"height\":2000}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb99516\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Abbildung des Werks &quot;Selbstbildnis mit Amor und Tod&quot; von Hans Thoma aus dem Jahr 1875. Der K&uuml;nstler h&auml;lt einen Pinsel und tr&auml;gt ein braunes Gewand. &Uuml;ber ihm ist ein Engel und hinter ihm ein Sch&auml;del.\" title=\"Hans Thoma: Selbstbildnis mit Amor und Tod, 1875 &copy; Staatliche Kunsthalle Karlsruhe\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-thoma.jpg\" alt=\"Abbildung des Werks &quot;Selbstbildnis mit Amor und Tod&quot; von Hans Thoma aus dem Jahr 1875. Der K&uuml;nstler h&auml;lt einen Pinsel und tr&auml;gt ein braunes Gewand. &Uuml;ber ihm ist ein Engel und hinter ihm ein Sch&auml;del.\" title=\"Hans Thoma: Selbstbildnis mit Amor und Tod, 1875 &copy; Staatliche Kunsthalle Karlsruhe\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n                    <\/div>\n                <\/div>\n                                <\/div>\n    <\/div>\n<\/section>\n\n<section class=\"block block-copy-image block-margin-remove\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-5 col-sm-offset-1\">\n                    <div class=\"box block-copy-image-copy\">\n                                                    <h2  >Ernst Ludwig Kirchner: The Painter (Self-Portrait), 1920<\/h2>                                                <div class=\"copy editor exception-align-left\"><p>There are a great many self-portraits by Ernst Ludwig Kirchner from all phases of his work. This linocut is an example of his mixed-style phase, during which he attempted to unify various different influences. With its almost two-dimensional simplicity, it is reminiscent of a paper cut-out. The delicate, luminescent watercolours are characteristic of this period, creating areas of green through the overprinting of yellow and blue. Kirchner produced relatively few impressions of his coloured prints: he wanted to emphasize their uniqueness, as for him they existed on a par with his paintings. During the years of the First World War, Kirchner went through a deep crisis. Bouts of anxiety and medicinal drug addictions caused an increasing fear of losing his creativity, a trauma that he also made into a theme in his self-portrayals. This canvas depicts him in the act of painting in the narrow living room in his home in the Swiss town of Davos, to which he had withdrawn in the hope of making a recovery, and where he lived until his suicide in 1938.<\/p>\n                            \n\n                            <\/div>\n                    <\/div>\n                <\/div>\n\n                <div class=\"col-xs-12 col-sm-6\">\n                    <div class=\"box\">\n                        \t<div class=\"lazy-media\" id=\"media_6a144abb99a57\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"lazy-media-copyright-content-empty\" aria-hidden=\"true\" style=\"pointer-events: none; user-select: none;\">&nbsp;<\/span>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:111.60714285714%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-kirchner-269x300.jpg\",\"width\":269,\"height\":300,\"mime-type\":\"image\\\/jpeg\",\"filesize\":70480},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-kirchner-918x1024.jpg\",\"width\":918,\"height\":1024,\"mime-type\":\"image\\\/jpeg\",\"filesize\":729174},\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-kirchner-134x150.jpg\",\"width\":134,\"height\":150,\"mime-type\":\"image\\\/jpeg\",\"filesize\":20873},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-kirchner-768x857.jpg\",\"width\":768,\"height\":857,\"mime-type\":\"image\\\/jpeg\",\"filesize\":509492},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-kirchner-645x720.jpg\",\"width\":645,\"height\":720,\"mime-type\":\"image\\\/jpeg\",\"filesize\":362277},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-kirchner-1147x1280.jpg\",\"width\":1147,\"height\":1280,\"mime-type\":\"image\\\/jpeg\",\"filesize\":1134482},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-kirchner-1720x1920.jpg\",\"width\":1720,\"height\":1920,\"mime-type\":\"image\\\/jpeg\",\"filesize\":2448217},\"1536x1536\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-kirchner-1376x1536.jpg\",\"width\":1376,\"height\":1536,\"mime-type\":\"image\\\/jpeg\",\"filesize\":1611717},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-kirchner.jpg\",\"width\":1792,\"height\":2000}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb99a58\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Abbildung des Selbstportraits Ernst Ludwig Kirchners. Er sitzt an einem Tisch. Hinter ihm ist ein Ofen und ein Fenster.\" title=\"Ernst Ludwig Kirchner: The Painter (Self-Portrait), 1920 &copy; Staatliche Kunsthalle Karlsruhe\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-kirchner.jpg\" alt=\"Abbildung des Selbstportraits Ernst Ludwig Kirchners. Er sitzt an einem Tisch. Hinter ihm ist ein Ofen und ein Fenster.\" title=\"Ernst Ludwig Kirchner: The Painter (Self-Portrait), 1920 &copy; Staatliche Kunsthalle Karlsruhe\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n                    <\/div>\n                <\/div>\n                                <\/div>\n    <\/div>\n<\/section>\n\n<section class=\"block block-copy-image block-margin-remove\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-5 col-sm-offset-1\">\n                    <div class=\"box block-copy-image-copy\">\n                                                    <h2  >Antoine Duclaux: Lyonnaise Artists Stopping at Barbe Island, 1824<\/h2>                                                <div class=\"copy editor exception-align-left\"><p>This painting is regarded as a central work by Antoine Duclaux. It was exhibited at the Paris Salon in 1824 and literally became the manifesto of the young Lyon School. At the centre of the painting can be seen Duclaux\u2019s mentor Fleury Richard, wearing a top hat, who at the time had been dismissed from his professorship at the \u00c9cole des beaux-arts de Lyon in consequence of an intrigue by his rival Pierre R\u00e9voil. Gathered around him are his most successful pupils, whom art critics had termed the \u201cLyon School\u201d since 1819. Assembled from left to right are: the sculptor Jean Fran\u00e7ois Legendre-H\u00e9ral and the painters Augustin Thierriat, Michel Genod, Anthelme Trimolet, Jean Marie Jacomin, \u00c9tienne Rey, Claude Bonnefond and Hector Reverchon.<\/p>\n                            \n\n                            <\/div>\n                    <\/div>\n                <\/div>\n\n                <div class=\"col-xs-12 col-sm-6\">\n                    <div class=\"box\">\n                        \t<div class=\"lazy-media\" id=\"media_6a144abb9a345\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\tMus\u00e9e des Beaux-Arts de Lyon \u00a9 Lyon MBA | Foto Alain Basset\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:66.2%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-duclaux-150x99.jpg\",\"width\":150,\"height\":99,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-duclaux-300x199.jpg\",\"width\":300,\"height\":199,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-duclaux-768x508.jpg\",\"width\":768,\"height\":508,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-duclaux-1024x678.jpg\",\"width\":1024,\"height\":678,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-duclaux-720x477.jpg\",\"width\":720,\"height\":477,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-duclaux-1280x847.jpg\",\"width\":1280,\"height\":847,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-duclaux-1920x1271.jpg\",\"width\":1920,\"height\":1271,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-duclaux.jpg\",\"width\":2000,\"height\":1324}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb9a346\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Abbildung des Werks &quot;Rast der K&uuml;nstler am Ufer der Sa&ocirc;ne&quot; von Antoine Duclaux aus dem Jahr 1824. Das Bild zeigt eine Gruppe Reisender vor einem Fluss. Sie reisen mit Pferden und einem Wagen.\" title=\"Antoine Duclaux, Rast der K&uuml;nstler am Ufer der Sa&ocirc;ne, 1824\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-duclaux.jpg\" alt=\"Abbildung des Werks &quot;Rast der K&uuml;nstler am Ufer der Sa&ocirc;ne&quot; von Antoine Duclaux aus dem Jahr 1824. Das Bild zeigt eine Gruppe Reisender vor einem Fluss. Sie reisen mit Pferden und einem Wagen.\" title=\"Antoine Duclaux, Rast der K&uuml;nstler am Ufer der Sa&ocirc;ne, 1824\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n                    <\/div>\n                <\/div>\n                                <\/div>\n    <\/div>\n<\/section>\n\n<section class=\"block block-copy-image block-margin-remove\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-5 col-sm-offset-1\">\n                    <div class=\"box block-copy-image-copy\">\n                                                    <h2  >Gustave Courbet: The Lovers in the Countryside, Feelings of Youth (The Happy Lovers), 1844<\/h2>                                                <div class=\"copy editor exception-align-left\"><p>Gustave Courbet made about twenty self-portraits in the period between 1842 and 1855. They gave the artist the opportunity to create a setting and construct a specific image of himself: at first, still under the influence of Romanticism, as a lonely, misunderstood genius and later as a provincial painter who cares little for social customs. The self-portrait on display here shows the painter in the company of his lover Virginie Binet who left him in 1852. Courbet only gave the work the title The Lovers in the Countryside in 1855, no doubt a deliberate allusion to his earlier happiness.<\/p>\n                            \n\n                            <\/div>\n                    <\/div>\n                <\/div>\n\n                <div class=\"col-xs-12 col-sm-6\">\n                    <div class=\"box\">\n                        \t<div class=\"lazy-media\" id=\"media_6a144abb9ac47\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\tMus\u00e9e des Beaux-Arts de Lyon  \u00a9 Lyon MBA \u2013 Foto Alain Basset\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:131.23359580052%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-courbet-114x150.jpg\",\"width\":114,\"height\":150,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-courbet-229x300.jpg\",\"width\":229,\"height\":300,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-courbet-768x1008.jpg\",\"width\":768,\"height\":1008,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-courbet-780x1024.jpg\",\"width\":780,\"height\":1024,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-courbet-549x720.jpg\",\"width\":549,\"height\":720,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-courbet-975x1280.jpg\",\"width\":975,\"height\":1280,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-courbet-1463x1920.jpg\",\"width\":1463,\"height\":1920,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-courbet.jpg\",\"width\":1524,\"height\":2000}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb9ac48\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Abbildung des Werks &quot;Die Liebenden auf dem Land&quot; von Gustave Courbet aus dem Jahr 1844. Zu sehen sind zwei Personen im Profil. Die hintere Person ist deutlich heller zu sehen.\" title=\"Gustave Courbet, Die Liebenden auf dem Land, Gef&uuml;hle der Jugend (Die Gl&uuml;cklichen Liebenden), 1844\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-courbet.jpg\" alt=\"Abbildung des Werks &quot;Die Liebenden auf dem Land&quot; von Gustave Courbet aus dem Jahr 1844. Zu sehen sind zwei Personen im Profil. Die hintere Person ist deutlich heller zu sehen.\" title=\"Gustave Courbet, Die Liebenden auf dem Land, Gef&uuml;hle der Jugend (Die Gl&uuml;cklichen Liebenden), 1844\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n                    <\/div>\n                <\/div>\n                                <\/div>\n    <\/div>\n<\/section>\n\n<section class=\"block block-copy-image block-margin-remove\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-5 col-sm-offset-1\">\n                    <div class=\"box block-copy-image-copy\">\n                                                    <h2  >Rembrandt Harmenszoon van Rijn: Self-portrait, c. 1645\/48<\/h2>                                                <div class=\"copy editor exception-align-left\"><p>It would seem logical to assume that Rembrandt\u2019s blatantly gloomy disposition in this self-portrait is tied to events in his private life, for it was created around the time of the death of his beloved wife, Saskia, in 1642, a period of personal and creative crisis. Yet for Rembrandt, the work was not intended to be an analysis of the self. His aim was rather to paint a captivating piece of art that would attract a buyer. Self-portraits in the seventeenth century were not personal. After completion, they were quickly sold on to wealthy patrons. The emotions in Rembrandt\u2019s self-portraits are acted and even his clothing is part of a staged scene, as if he were playing a role in the theatre. This self-portrait is rightly considered a masterpiece and is perfect for the study of Rembrandt\u2019s extraordinary painting style, with different areas of the same work executed in a variety of techniques: while the face, despite the use of impasto, is very precisely and finely modelled, his robe is more sketchily painted, giving an unfinished impression.<\/p>\n                            \n\n                            <\/div>\n                    <\/div>\n                <\/div>\n\n                <div class=\"col-xs-12 col-sm-6\">\n                    <div class=\"box\">\n                        \t<div class=\"lazy-media\" id=\"media_6a144abb9b441\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"lazy-media-copyright-content-empty\" aria-hidden=\"true\" style=\"pointer-events: none; user-select: none;\">&nbsp;<\/span>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:123.0012300123%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-rembrandt-122x150.jpg\",\"width\":122,\"height\":150,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-rembrandt-244x300.jpg\",\"width\":244,\"height\":300,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-rembrandt-768x945.jpg\",\"width\":768,\"height\":945,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-rembrandt-833x1024.jpg\",\"width\":833,\"height\":1024,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-rembrandt-585x720.jpg\",\"width\":585,\"height\":720,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-rembrandt-1041x1280.jpg\",\"width\":1041,\"height\":1280,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-rembrandt-1561x1920.jpg\",\"width\":1561,\"height\":1920,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-rembrandt.jpg\",\"width\":1626,\"height\":2000}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb9b442\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Abbildung des Selbstbildnisses von Rembrandt aus dem Jahr 1650. Er tr&auml;gt ein braunes Gewand und einen braunen Hut.\" title=\"Rembrandt Harmenszoon van Rijn: Selbstbildnis, um 1650 &copy; Staatliche Kunsthalle Karlsruhe\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-rembrandt.jpg\" alt=\"Abbildung des Selbstbildnisses von Rembrandt aus dem Jahr 1650. Er tr&auml;gt ein braunes Gewand und einen braunen Hut.\" title=\"Rembrandt Harmenszoon van Rijn: Selbstbildnis, um 1650 &copy; Staatliche Kunsthalle Karlsruhe\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n                    <\/div>\n                <\/div>\n                                <\/div>\n    <\/div>\n<\/section>\n\n<section class=\"block block-copy-image block-margin-remove\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-5 col-sm-offset-1\">\n                    <div class=\"box block-copy-image-copy\">\n                                                    <h2  >Jean Carri\u00e8s: The Warrior, 1881<\/h2>                                                <div class=\"copy editor exception-align-left\"><p>Jean Carri\u00e8s was one of the most innovative sculptors of his time. He created numerous fantasy busts in historical dress. The Warrior presumably depicts the artist himself\u2014a kind of imaginary self-portrait with armour and helmet. The work plainly references Spanish art of the 17th century, while the helmet and armour perhaps point to the staged settings and props used by Rembrandt. These allusions, together with the deliberate confusion caused by the self-portrayal and the melancholy gaze counteract the military impression of the work, and an underlying atmosphere of introspection and meditation emerges in its place.<\/p>\n                            \n\n                            <\/div>\n                    <\/div>\n                <\/div>\n\n                <div class=\"col-xs-12 col-sm-6\">\n                    <div class=\"box\">\n                        \t<div class=\"lazy-media\" id=\"media_6a144abb9bd9c\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\tMus\u00e9e des Beaux-Arts de Lyon \u00a9 Lyon MBA \u2013 Foto Alain Basset\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:78.35%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-carries-150x118.jpg\",\"width\":150,\"height\":118,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-carries-300x235.jpg\",\"width\":300,\"height\":235,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-carries-768x602.jpg\",\"width\":768,\"height\":602,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-carries-1024x802.jpg\",\"width\":1024,\"height\":802,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-carries-720x564.jpg\",\"width\":720,\"height\":564,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-carries-1280x1003.jpg\",\"width\":1280,\"height\":1003,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-carries-1920x1504.jpg\",\"width\":1920,\"height\":1504,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-carries.jpg\",\"width\":2000,\"height\":1567}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb9bd9d\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Abbildung der Skulptur &quot;Der Krieger&quot; von Jean Carri&egrave;s aus dem Jahr 1881. Die Skulptur ist eine B&uuml;ste und zeigt einen Soldaten mit Helm.\" title=\"Jean Carri&egrave;s, Der Krieger, 1881\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-carries.jpg\" alt=\"Abbildung der Skulptur &quot;Der Krieger&quot; von Jean Carri&egrave;s aus dem Jahr 1881. Die Skulptur ist eine B&uuml;ste und zeigt einen Soldaten mit Helm.\" title=\"Jean Carri&egrave;s, Der Krieger, 1881\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n                    <\/div>\n                <\/div>\n                                <\/div>\n    <\/div>\n<\/section>\n\n<section class=\"block block-copy-image block-margin-remove\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-5 col-sm-offset-1\">\n                    <div class=\"box block-copy-image-copy\">\n                                                    <h2  >Michel Dumas: Self-portrait, c. 1838<\/h2>                                                <div class=\"copy editor exception-align-left\"><p>Michel Dumas is one of the many artists from Lyon who started their training in the studio of Jean-Auguste-Dominique Ingres. The painter presents himself wearing a typical artist\u2019s cap, but also an elegant robe hardly conceivable as suitable work clothing. In the background we see the verso of a painting. Perhaps it is his best-known work Abraham and Hagar (1838). Scholars suspect this may be the case because the Lyon-born art collector Lodo\u00efx Monnier, Dumas\u2019s most loyal patron, purchased Abraham and Hagar and was also the first owner of this self-portrait.<\/p>\n                            \n\n                            <\/div>\n                    <\/div>\n                <\/div>\n\n                <div class=\"col-xs-12 col-sm-6\">\n                    <div class=\"box\">\n                        \t<div class=\"lazy-media\" id=\"media_6a144abb9c665\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\tMus\u00e9e des Beaux-Arts de Lyon \u00a9 Lyon MBA | Foto: Alain Basset\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:118.5536455246%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-dumas-127x150.jpg\",\"width\":127,\"height\":150,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-dumas-253x300.jpg\",\"width\":253,\"height\":300,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-dumas-768x910.jpg\",\"width\":768,\"height\":910,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-dumas-864x1024.jpg\",\"width\":864,\"height\":1024,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-dumas-607x720.jpg\",\"width\":607,\"height\":720,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-dumas-1080x1280.jpg\",\"width\":1080,\"height\":1280,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-dumas-1620x1920.jpg\",\"width\":1620,\"height\":1920,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-dumas.jpg\",\"width\":1687,\"height\":2000}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb9c666\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Abbildung des Werks &quot;Selbstportr&auml;t&quot; von Michel Dumas aus dem Jahr 1840. Der K&uuml;nstler tr&auml;gt ein schwarzes Gewand und einen schwarzen Hut.\" title=\"Michel Dumas: Selbstportr&auml;t, ca. 1840\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-dumas.jpg\" alt=\"Abbildung des Werks &quot;Selbstportr&auml;t&quot; von Michel Dumas aus dem Jahr 1840. Der K&uuml;nstler tr&auml;gt ein schwarzes Gewand und einen schwarzen Hut.\" title=\"Michel Dumas: Selbstportr&auml;t, ca. 1840\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n                    <\/div>\n                <\/div>\n                                <\/div>\n    <\/div>\n<\/section>\n\n<section class=\"block block-copy-image block-margin-remove\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-5 col-sm-offset-1\">\n                    <div class=\"box block-copy-image-copy\">\n                                                    <h2  >Joseph Vivien: Self-portrait with Palette, c. 1715<\/h2>                                                <div class=\"copy editor exception-align-left\"><p>His arm supported by a portfolio and a palette, Vivien points to the paintbrushes that identify him as a history painter. His gaze directed towards the viewer and the hint of a smile attest to the pride of the painter; he stands with his chest out, underlining his determination. Educated in Paris, Joseph Vivien served as court painter to Maximilian II Emanuel, Elector of Bavaria. At the time this painting was created, the artist was at the pinnacle of his career: in the background, we can see a pre-study for his masterpiece Allegory of Elector Max Emanuel of Bavaria Being Reunited with His Family in 1715. The monumental painting, made between 1715 and 1733 (Staatsgalerie Schlei\u00dfheim), commemorates the signing of the Treaty of Rastatt on 7 March 1714.<\/p>\n                            \n\n                            <\/div>\n                    <\/div>\n                <\/div>\n\n                <div class=\"col-xs-12 col-sm-6\">\n                    <div class=\"box\">\n                        \t<div class=\"lazy-media\" id=\"media_6a144abb9cf1d\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\tMus\u00e9e des Beaux-Arts de Lyon \u00a9 Lyon MBA | Foto: Alain Basset\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:137.45704467354%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-vivien-109x150.jpg\",\"width\":109,\"height\":150,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-vivien-218x300.jpg\",\"width\":218,\"height\":300,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-vivien-768x1056.jpg\",\"width\":768,\"height\":1056,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-vivien-745x1024.jpg\",\"width\":745,\"height\":1024,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-vivien-524x720.jpg\",\"width\":524,\"height\":720,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-vivien-931x1280.jpg\",\"width\":931,\"height\":1280,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-vivien-1397x1920.jpg\",\"width\":1397,\"height\":1920,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-vivien.jpg\",\"width\":1455,\"height\":2000}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb9cf1e\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Abbildung des Werks &quot;Selbstportr&auml;t mit Palette&quot; von Joseph Vivien aus den Jahren 1715&ndash;1720. Der K&uuml;nstler tr&auml;gt ein gelbes Kost&uuml;m und hat eine graue Per&uuml;cke auf.\" title=\"Joseph Vivien: Selbstportr&auml;t mit Palette, um 1715&ndash;1720\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-vivien.jpg\" alt=\"Abbildung des Werks &quot;Selbstportr&auml;t mit Palette&quot; von Joseph Vivien aus den Jahren 1715&ndash;1720. Der K&uuml;nstler tr&auml;gt ein gelbes Kost&uuml;m und hat eine graue Per&uuml;cke auf.\" title=\"Joseph Vivien: Selbstportr&auml;t mit Palette, um 1715&ndash;1720\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n                    <\/div>\n                <\/div>\n                                <\/div>\n    <\/div>\n<\/section>\n\n<section class=\"block block-copy-image block-margin-remove\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-5 col-sm-offset-1\">\n                    <div class=\"box block-copy-image-copy\">\n                                                    <h2  >Vincenzo Campi: The Ricotta Eaters, c. 1580<\/h2>                                                <div class=\"copy editor exception-align-left\"><p>There are six other versions of the Ricotta Eaters known in existence, but in all probability only this one was painted by Campi himself. He depicts himself as a jolly philosopher, with his arm crossing the centre of a composition that seems infused with infectious laughter. Campi\u2019s advice to the viewer is to enjoy life\u2019s pleasures, but without expecting too much of them. The holes hollowed out in the ricotta by the spoonful make the soft cheese evocative of a skull, and a fly crawls unnoticed on its surface. This traditional motif of vanitas painting warns of the perils of indulgence and reminds the viewer of the inevitability of death.<\/p>\n                            \n\n                            <\/div>\n                    <\/div>\n                <\/div>\n\n                <div class=\"col-xs-12 col-sm-6\">\n                    <div class=\"box\">\n                        \t<div class=\"lazy-media\" id=\"media_6a144abb9d805\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\tMus\u00e9e des Beaux-Arts de Lyon \u00a9 Lyon MBA \u2013 Foto Alain Basset\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:85.7%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-campi-150x129.jpg\",\"width\":150,\"height\":129,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-campi-300x257.jpg\",\"width\":300,\"height\":257,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-campi-768x658.jpg\",\"width\":768,\"height\":658,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-campi-1024x878.jpg\",\"width\":1024,\"height\":878,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-campi-720x617.jpg\",\"width\":720,\"height\":617,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-campi-1280x1097.jpg\",\"width\":1280,\"height\":1097,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-campi-1920x1645.jpg\",\"width\":1920,\"height\":1645,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-campi.jpg\",\"width\":2000,\"height\":1714}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb9d806\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Abbildung des Werks &quot;Die Ricotta-Esser&quot; von Vincenzo Campi aus dem Jahr 1580. Das Bild zeigt eine Personengruppe die fr&ouml;hlich von einem Teller Ricotta essen.\" title=\"Vincenzo Campi, Die Ricotta-Esser, 1580\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-campi.jpg\" alt=\"Abbildung des Werks &quot;Die Ricotta-Esser&quot; von Vincenzo Campi aus dem Jahr 1580. Das Bild zeigt eine Personengruppe die fr&ouml;hlich von einem Teller Ricotta essen.\" title=\"Vincenzo Campi, Die Ricotta-Esser, 1580\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n                    <\/div>\n                <\/div>\n                                <\/div>\n    <\/div>\n<\/section>\n\n<section class=\"block block-copy-image block-margin-remove\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-5 col-sm-offset-1\">\n                    <div class=\"box block-copy-image-copy\">\n                                                    <h2  >Sarah Lucas: Self-Portrait with Fried Eggs, 1996<\/h2>                                                <div class=\"copy editor exception-align-left\"><p>Sarah Lucas\u2019s portrayals of men and women are imbued with an irreverent sense of humour and vernacular language that challenge sexual stereotypes and conventional morals. In Self-portrait with Fried Eggs, she adopts a provocative, macho pose. The fried eggs on her breasts are a parody of the usual connotations associated with female (and male) sexual attributes. In Self-portrait with Skull, Lucas\u2019s pose seems to equate sex with death, in this way revealing dark urges not only related to passion but also to self-destruction. In Got a Salmon On #3, she is pictured in front of a public toilet. The slang connotations of the title and huge salmon over her shoulder are an ironic reference to the concept of female erection.<\/p>\n                            \n\n                            <\/div>\n                    <\/div>\n                <\/div>\n\n                <div class=\"col-xs-12 col-sm-6\">\n                    <div class=\"box\">\n                        \t<div class=\"lazy-media\" id=\"media_6a144abb9e11b\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\t\u00a9 the artist, courtesy Sadie Coles HQ, London Scottish National Gallery of Modern Art\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:145.45454545455%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lucas-103x150.jpg\",\"width\":103,\"height\":150,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lucas-206x300.jpg\",\"width\":206,\"height\":300,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lucas-768x1117.jpg\",\"width\":768,\"height\":1117,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lucas-704x1024.jpg\",\"width\":704,\"height\":1024,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lucas-495x720.jpg\",\"width\":495,\"height\":720,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lucas-880x1280.jpg\",\"width\":880,\"height\":1280,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lucas-1320x1920.jpg\",\"width\":1320,\"height\":1920,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lucas.jpg\",\"width\":1375,\"height\":2000}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb9e11c\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Abbildung der Fotografie &quot;Selbstportr&auml;t mit Spiegeleiern&quot; von Sarah Lucas aus dem Jahr 1996. Die K&uuml;nstlerin sitzt in einem Sessel und hat Spiegeleier auf ihren Br&uuml;sten.\" title=\"Sarah Lucas, Selbstportr&auml;t mit Spiegeleiern, 1996 aus Selbstportr&auml;ts 1990&ndash;1998, 1999\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lucas.jpg\" alt=\"Abbildung der Fotografie &quot;Selbstportr&auml;t mit Spiegeleiern&quot; von Sarah Lucas aus dem Jahr 1996. Die K&uuml;nstlerin sitzt in einem Sessel und hat Spiegeleier auf ihren Br&uuml;sten.\" title=\"Sarah Lucas, Selbstportr&auml;t mit Spiegeleiern, 1996 aus Selbstportr&auml;ts 1990&ndash;1998, 1999\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n                    <\/div>\n                <\/div>\n                                <\/div>\n    <\/div>\n<\/section>\n\n<section class=\"block block-copy-image block-margin-remove\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-5 col-sm-offset-1\">\n                    <div class=\"box block-copy-image-copy\">\n                                                    <h2  >John Byrne: John Patrick Byrne (Self-portrait in a Flowered Jacket), 1971\u20131973<\/h2>                                                <div class=\"copy editor exception-align-left\"><p>This self-portrait is a tribute to one of the best-known outsiders of modern art: Henri Rousseau, the key representative of \u2018na\u00efve art\u2019, whom Byrne greatly admired. Created in the wake of a trip to America, it also reflects Byrne\u2019s fascination with the distinct Californian light and the \u2018flower power\u2019 of the time. The numerous, strikingly protean self-portraits which the artist produced over the course of his career suggest a variable and malleable identity. Equally known for his writing, Byrne presents himself in his art in an array of guises and costumes, attitudes and masks, moods and circumstances. The undoubted humorous streak to his poses is also tinged with a tragic element.<\/p>\n                            \n\n                            <\/div>\n                    <\/div>\n                <\/div>\n\n                <div class=\"col-xs-12 col-sm-6\">\n                    <div class=\"box\">\n                        \t<div class=\"lazy-media\" id=\"media_6a144abb9ea38\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\tScottish National Portrait Gallery, Edinburgh  \u00a9 The Artist \/ Bridgeman Art Library. All rights reserved. Scottish National Portrait Gallery\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:160.9375%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-byrne-93x150.jpg\",\"width\":93,\"height\":150,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-byrne-186x300.jpg\",\"width\":186,\"height\":300,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-byrne-768x1236.jpg\",\"width\":768,\"height\":1236,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-byrne-636x1024.jpg\",\"width\":636,\"height\":1024,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-byrne-447x720.jpg\",\"width\":447,\"height\":720,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-byrne-795x1280.jpg\",\"width\":795,\"height\":1280,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-byrne-1193x1920.jpg\",\"width\":1193,\"height\":1920,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-byrne.jpg\",\"width\":1280,\"height\":2060}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb9ea39\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Abbildung des Werks &quot;John Patrick Byrne, Selbstportr&auml;t in gebl&uuml;mter Jacke&quot; von John Byrne aus den Jahren 1971 bis 1973. Der K&uuml;nstler sitzt mit einer Palette und einem Stift in der Hand auf einer Box.\" title=\"John Byrne: John Patrick Byrne, Selbstportr&auml;t in gebl&uuml;mter Jacke, 1971&ndash;1973\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-byrne.jpg\" alt=\"Abbildung des Werks &quot;John Patrick Byrne, Selbstportr&auml;t in gebl&uuml;mter Jacke&quot; von John Byrne aus den Jahren 1971 bis 1973. Der K&uuml;nstler sitzt mit einer Palette und einem Stift in der Hand auf einer Box.\" title=\"John Byrne: John Patrick Byrne, Selbstportr&auml;t in gebl&uuml;mter Jacke, 1971&ndash;1973\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n                    <\/div>\n                <\/div>\n                                <\/div>\n    <\/div>\n<\/section>\n\n<section class=\"block block-copy-image block-margin-remove\" >\n    <div class=\"container-fluid\">\n        <div class=\"row\">\n                            <div class=\"col-xs-12 col-sm-5 col-sm-offset-1\">\n                    <div class=\"box block-copy-image-copy\">\n                                                    <h2  >Robert Henderson Blyth: Existence Precarious, 1946<\/h2>                                                <div class=\"copy editor exception-align-left\"><p>During the Second World War, Robert Henderson Blyth spent four years as a medic in the Royal Army Medical Corps in France, the Netherlands, and Belgium. The experiences of this period are reflected in many of his works, which are dominated by dark premonitions and figures frozen in the midst of scenes of devastation and destruction. This self-portrait shows him beset on all sides by a snowy, chaotic landscape. A faceless figure at his back seems to have frozen to death, while the artist himself appears fixed to the spot. The artist\u2019s piercing blue eyes are turned slightly upwards; they stare out at us, involving us directly in the scene.<\/p>\n                            \n\n                            <\/div>\n                    <\/div>\n                <\/div>\n\n                <div class=\"col-xs-12 col-sm-6\">\n                    <div class=\"box\">\n                        \t<div class=\"lazy-media\" id=\"media_6a144abb9f32b\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\tScottish National Portrait Gallery \u00a9 Estate of Robert Henderson Blyth\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:82.95%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-blyth-150x124.jpg\",\"width\":150,\"height\":124,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-blyth-300x249.jpg\",\"width\":300,\"height\":249,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-blyth-768x637.jpg\",\"width\":768,\"height\":637,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-blyth-1024x849.jpg\",\"width\":1024,\"height\":849,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-blyth-720x597.jpg\",\"width\":720,\"height\":597,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-blyth-1280x1062.jpg\",\"width\":1280,\"height\":1062,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-blyth-1920x1593.jpg\",\"width\":1920,\"height\":1593,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-blyth.jpg\",\"width\":2000,\"height\":1659}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb9f32c\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Abbildung des Werks &quot;Unsichere Existenz&quot; von Robert Henderson Blyth aus dem Jahr 1946. Der K&uuml;nstler malte sich als Soldat in einem Sch&uuml;tzengraben. Hinter ihm sieht man eine zerst&ouml;rte Stadt. Alles ist leicht mit Schnee bedeckt.\" title=\"Robert Henderson Blyth: Unsichere Existenz, 1946\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-blyth.jpg\" alt=\"Abbildung des Werks &quot;Unsichere Existenz&quot; von Robert Henderson Blyth aus dem Jahr 1946. Der K&uuml;nstler malte sich als Soldat in einem Sch&uuml;tzengraben. Hinter ihm sieht man eine zerst&ouml;rte Stadt. Alles ist leicht mit Schnee bedeckt.\" title=\"Robert Henderson Blyth: Unsichere Existenz, 1946\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n                    <\/div>\n                <\/div>\n                                <\/div>\n    <\/div>\n<\/section>\n\n\n        <div class=\"block-read-more-button\">\n            <div class=\"block-read-more-button-icon minus\">\n                <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"14\" height=\"4\" viewBox=\"0 0 14 4\">\n                    <path fill=\"#FFF\" fill-rule=\"evenodd\" d=\"M0 .253h14V3.39H0z\"\/>\n                <\/svg>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/div>\n\n\n<section class=\"block block-gallery-petersburger start_margin_gallery_right\" >\n\t<div class=\"block-gallery-petersburger-content\">\n\t\t<div class=\"container-fluid\">\n\t\t\t<div class=\"row center-xs\">\n\t\t\t\t<h3  class=\" margin-third-top margin-third-bottom\" >Highlights of the exhibition<\/h3>\t\t\t<\/div>\n\t\t<\/div>\n\t\t<div class=\"container-fluid\">\n\t\t\t<div class=\"row center-xs\">\n\t\t\t\t<div class=\"col-xs col-sm-6 block-gallery-petersburger-wrapper left\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"block-gallery-petersburger-item large\">\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.kunsthalle-karlsruhe.de\/gallery\/?view=WzUzOTMsNTM5OSw1NDEyLDU0MDVd#image_5393\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media\" id=\"media_6a144abb9fa46\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\tScottish National Portrait Gallery, Edinburgh  \u00a9 The Artist \/ Bridgeman Art Library. All rights reserved. Scottish National Portrait Gallery\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:160.9375%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-byrne-93x150.jpg\",\"width\":93,\"height\":150,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-byrne-186x300.jpg\",\"width\":186,\"height\":300,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-byrne-768x1236.jpg\",\"width\":768,\"height\":1236,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-byrne-636x1024.jpg\",\"width\":636,\"height\":1024,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-byrne-447x720.jpg\",\"width\":447,\"height\":720,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-byrne-795x1280.jpg\",\"width\":795,\"height\":1280,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-byrne-1193x1920.jpg\",\"width\":1193,\"height\":1920,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-byrne.jpg\",\"width\":1280,\"height\":2060}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb9fa47\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Abbildung des Werks &quot;John Patrick Byrne, Selbstportr&auml;t in gebl&uuml;mter Jacke&quot; von John Byrne aus den Jahren 1971 bis 1973. Der K&uuml;nstler sitzt mit einer Palette und einem Stift in der Hand auf einer Box.\" title=\"John Byrne: John Patrick Byrne, Selbstportr&auml;t in gebl&uuml;mter Jacke, 1971&ndash;1973\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-byrne.jpg\" alt=\"Abbildung des Werks &quot;John Patrick Byrne, Selbstportr&auml;t in gebl&uuml;mter Jacke&quot; von John Byrne aus den Jahren 1971 bis 1973. Der K&uuml;nstler sitzt mit einer Palette und einem Stift in der Hand auf einer Box.\" title=\"John Byrne: John Patrick Byrne, Selbstportr&auml;t in gebl&uuml;mter Jacke, 1971&ndash;1973\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"block-gallery-petersburger-item medium\">\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.kunsthalle-karlsruhe.de\/gallery\/?view=WzUzOTMsNTM5OSw1NDEyLDU0MDVd#image_5412\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media\" id=\"media_6a144abb9fb33\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\t\u00a9 2015 The Andy Warhol Foundation for the Visual Arts, Inc. | Artists Rights Society (ARS), New York\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:131.57894736842%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-warhol-114x150.jpg\",\"width\":114,\"height\":150,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-warhol-228x300.jpg\",\"width\":228,\"height\":300,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-warhol-768x1011.jpg\",\"width\":768,\"height\":1011,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-warhol-778x1024.jpg\",\"width\":778,\"height\":1024,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-warhol-547x720.jpg\",\"width\":547,\"height\":720,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-warhol-973x1280.jpg\",\"width\":973,\"height\":1280,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-warhol-1459x1920.jpg\",\"width\":1459,\"height\":1920,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-warhol.jpg\",\"width\":1520,\"height\":2000}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb9fb34\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Selbstportr&auml;t von Andy Warhol aus dem Jahr 1986. Der K&uuml;nstler hat graue Haare und tr&auml;gt einen dunklen Rollkragenpullover.\" title=\"Andy Warhol: Selbstportr&auml;t mit &ldquo;Fright Wig&rdquo;, 1986\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-warhol.jpg\" alt=\"Selbstportr&auml;t von Andy Warhol aus dem Jahr 1986. Der K&uuml;nstler hat graue Haare und tr&auml;gt einen dunklen Rollkragenpullover.\" title=\"Andy Warhol: Selbstportr&auml;t mit &ldquo;Fright Wig&rdquo;, 1986\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"col-xs col-sm-6 block-gallery-petersburger-wrapper right\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"block-gallery-petersburger-item small\">\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.kunsthalle-karlsruhe.de\/gallery\/?view=WzUzOTMsNTM5OSw1NDEyLDU0MDVd#image_5399\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media\" id=\"media_6a144abb9fbe2\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"lazy-media-copyright-content-empty\" aria-hidden=\"true\" style=\"pointer-events: none; user-select: none;\">&nbsp;<\/span>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:124.68827930175%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-feuerbach-241x300.jpg\",\"width\":241,\"height\":300,\"mime-type\":\"image\\\/jpeg\",\"filesize\":57397},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-feuerbach-821x1024.jpg\",\"width\":821,\"height\":1024,\"mime-type\":\"image\\\/jpeg\",\"filesize\":696034},\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-feuerbach-120x150.jpg\",\"width\":120,\"height\":150,\"mime-type\":\"image\\\/jpeg\",\"filesize\":15843},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-feuerbach-768x958.jpg\",\"width\":768,\"height\":958,\"mime-type\":\"image\\\/jpeg\",\"filesize\":600096},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-feuerbach-577x720.jpg\",\"width\":577,\"height\":720,\"mime-type\":\"image\\\/jpeg\",\"filesize\":323769},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-feuerbach-1027x1280.jpg\",\"width\":1027,\"height\":1280,\"mime-type\":\"image\\\/jpeg\",\"filesize\":1128036},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-feuerbach-1540x1920.jpg\",\"width\":1540,\"height\":1920,\"mime-type\":\"image\\\/jpeg\",\"filesize\":2559764},\"1536x1536\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-feuerbach-1232x1536.jpg\",\"width\":1232,\"height\":1536,\"mime-type\":\"image\\\/jpeg\",\"filesize\":1637505},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-feuerbach.jpg\",\"width\":1604,\"height\":2000}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb9fbe3\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Abbildung des Werks &quot;Jugendliches Selbstbildnis&quot; von Anselm Feuerbach aus dem Jahr 1852\/53. Der K&uuml;nstler hat einen Schn&auml;uzer und mittellange braune Haare.\" title=\"Anselm Feuerbach: Jugendliches Selbstbildnis, 1852\/53 &copy; Staatliche Kunsthalle Karlsruhe\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-feuerbach.jpg\" alt=\"Abbildung des Werks &quot;Jugendliches Selbstbildnis&quot; von Anselm Feuerbach aus dem Jahr 1852\/53. Der K&uuml;nstler hat einen Schn&auml;uzer und mittellange braune Haare.\" title=\"Anselm Feuerbach: Jugendliches Selbstbildnis, 1852\/53 &copy; Staatliche Kunsthalle Karlsruhe\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n<div class=\"partial imdas-icon\">\n    <img decoding=\"async\" src=\"\/partials\/imdas-icon\/assets\/icon.svg\" alt=\"\" \/>\n<\/div>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"block-gallery-petersburger-item large\">\n\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.kunsthalle-karlsruhe.de\/gallery\/?view=WzUzOTMsNTM5OSw1NDEyLDU0MDVd#image_5405\">\n\t\t\t\t\t\t\t\t\t\t<div class=\"lazy-media\" id=\"media_6a144abb9fc88\">\n\t\t<div class=\"lazy-media-wrapper\">\n\t\t\t<div class=\"lazy-media-copyright\">\n\t\t\t\t<div class=\"lazy-media-copyright-content\">\n\t\t\t\t\t\t\t\t\t\t\t\u00a9 the artist, courtesy Sadie Coles HQ, London Scottish National Gallery of Modern Art\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\n\t\t\t<div class=\"height-container\"  style=\"padding-bottom:145.45454545455%;\">\n\t\t\t\t<script type=\"application\/json\" class=\"lazy-media-data\">\n\t\t\t\t{\n\t\t\t\t\"sizes\" : {\"thumbnail\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lucas-103x150.jpg\",\"width\":103,\"height\":150,\"mime-type\":\"image\\\/jpeg\"},\"medium\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lucas-206x300.jpg\",\"width\":206,\"height\":300,\"mime-type\":\"image\\\/jpeg\"},\"medium_large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lucas-768x1117.jpg\",\"width\":768,\"height\":1117,\"mime-type\":\"image\\\/jpeg\"},\"large\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lucas-704x1024.jpg\",\"width\":704,\"height\":1024,\"mime-type\":\"image\\\/jpeg\"},\"mobile\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lucas-495x720.jpg\",\"width\":495,\"height\":720,\"mime-type\":\"image\\\/jpeg\"},\"hd\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lucas-880x1280.jpg\",\"width\":880,\"height\":1280,\"mime-type\":\"image\\\/jpeg\"},\"full\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lucas-1320x1920.jpg\",\"width\":1320,\"height\":1920,\"mime-type\":\"image\\\/jpeg\"},\"original\":{\"file\":\"kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lucas.jpg\",\"width\":1375,\"height\":2000}},\n\t\t\t\t\"path\" : \"\/wp-content\/uploads\/2019\/05\/\",\n\t\t\t\t\"video\" : \"\",\n\t\t\t\t\"autoplay\" : \"\",\n\t\t\t\t\"youtube\" : \"\"\n\t\t\t\t}\n\t\t\t\t<\/script>\n\n\t\t\t\t<div class=\"image-wrapper\" id=\"image_6a144abb9fc89\">\n\t\t\t\t\t<img decoding=\"async\" src=\"\" alt=\"Abbildung der Fotografie &quot;Selbstportr&auml;t mit Spiegeleiern&quot; von Sarah Lucas aus dem Jahr 1996. Die K&uuml;nstlerin sitzt in einem Sessel und hat Spiegeleier auf ihren Br&uuml;sten.\" title=\"Sarah Lucas, Selbstportr&auml;t mit Spiegeleiern, 1996 aus Selbstportr&auml;ts 1990&ndash;1998, 1999\" \/>\n\t\t\t\t\t<noscript>\n\t\t\t\t\t\t<img decoding=\"async\" src=\"\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-ausstellungen-archiv-ichbinhier-lucas.jpg\" alt=\"Abbildung der Fotografie &quot;Selbstportr&auml;t mit Spiegeleiern&quot; von Sarah Lucas aus dem Jahr 1996. Die K&uuml;nstlerin sitzt in einem Sessel und hat Spiegeleier auf ihren Br&uuml;sten.\" title=\"Sarah Lucas, Selbstportr&auml;t mit Spiegeleiern, 1996 aus Selbstportr&auml;ts 1990&ndash;1998, 1999\" \/>\n\t\t\t\t\t<\/noscript>\n\n\t\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\n\t\t\t\t\t<\/div>\n\t<\/div>\n\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t<div class=\"container-fluid\">\n\t\t\t<div class=\"row  margin-quarter-top\">\n\t\t\t\t<div class=\"col-xs col-sm-6\">\n\t\t\t\t\t<p class=\"font-book fs-md-16-28\"><\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n<section class=\"block block-logos\" >\n    <div class=\"container-fluid\">\n        <div class=\"row center-xs\">\n            <div class=\"col-xs-12 col-sm-10\">\n                <div class=\"box\">\n                    <h5  class=\" h5-large\" >Cooperation partners<\/h5>                <\/div>\n            <\/div>\n        <\/div>\n        <div class=\"row center-xs middle-xs\">\n            \n                <div class=\"col-xs-6 col-sm-2\">\n                    <div class=\"box margin-sixth-top\">\n                        <img decoding=\"async\" alt=\"Mus\u00e9e des Beaux Arts de Lyon\" src=\"https:\/\/www.kunsthalle-karlsruhe.de\/wp-content\/uploads\/2019\/06\/kunsthallekarlsruhe-logos-museedesbeauxartdelyon.jpg\" \/>\n                    <\/div>\n                <\/div>\n            \n                <div class=\"col-xs-6 col-sm-2\">\n                    <div class=\"box margin-sixth-top\">\n                        <img decoding=\"async\" alt=\"National Galleries Scotland\" src=\"https:\/\/www.kunsthalle-karlsruhe.de\/wp-content\/uploads\/2019\/06\/kunsthallekarlsruhe-logos-nationalgalleriesofscotland.jpg\" \/>\n                    <\/div>\n                <\/div>\n            \n                <div class=\"col-xs-6 col-sm-2\">\n                    <div class=\"box margin-sixth-top\">\n                        <img decoding=\"async\" alt=\"ZKM\" src=\"https:\/\/www.kunsthalle-karlsruhe.de\/wp-content\/uploads\/2019\/06\/kunsthallekarlsruhe-logos-zkm.jpg\" \/>\n                    <\/div>\n                <\/div>\n                    <\/div>\n    <\/div>\n<\/section>\n\n<section class=\"block block-logos\" >\n    <div class=\"container-fluid\">\n        <div class=\"row center-xs\">\n            <div class=\"col-xs-12 col-sm-10\">\n                <div class=\"box\">\n                    <h5  class=\" h5-large\" >Thank you for the generous support<\/h5>                <\/div>\n            <\/div>\n        <\/div>\n        <div class=\"row center-xs middle-xs\">\n            \n                <div class=\"col-xs-6 col-sm-2\">\n                    <div class=\"box margin-sixth-top\">\n                        <img decoding=\"async\" alt=\"EACEA Ko-Finanzierung\" src=\"https:\/\/www.kunsthalle-karlsruhe.de\/wp-content\/uploads\/2019\/06\/kunsthallekarlsruhe-logos-kreatives-europa.jpg\" \/>\n                    <\/div>\n                <\/div>\n            \n                <div class=\"col-xs-6 col-sm-2\">\n                    <div class=\"box margin-sixth-top\">\n                        <img decoding=\"async\" alt=\"Baden-W\u00fcrttemberg\" src=\"https:\/\/www.kunsthalle-karlsruhe.de\/wp-content\/uploads\/2019\/05\/kunsthallekarlsruhe-logos-badenwuerttemberg.jpg\" \/>\n                    <\/div>\n                <\/div>\n            \n                <div class=\"col-xs-6 col-sm-2\">\n                    <div class=\"box margin-sixth-top\">\n                        <img decoding=\"async\" alt=\"Dr. Ilse V\u00f6lter-Stiftungsfonds (alt)\" src=\"https:\/\/www.kunsthalle-karlsruhe.de\/wp-content\/uploads\/2019\/06\/kunsthallekarlsruhe-logos-ilsevoelter.jpg\" \/>\n                    <\/div>\n                <\/div>\n                    <\/div>\n    <\/div>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>The exhibition I am here! From Rembrandt to the selfie at Kunsthalle Karlsruhe presents an exciting selection of artistic self-images. \u25ba Learn more!<\/p>\n","protected":false},"featured_media":5402,"menu_order":0,"template":"","class_list":["post-5549","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kunsthalle-karlsruhe.de\/en\/wp-json\/wp\/v2\/exhibition\/5549","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kunsthalle-karlsruhe.de\/en\/wp-json\/wp\/v2\/exhibition"}],"about":[{"href":"https:\/\/www.kunsthalle-karlsruhe.de\/en\/wp-json\/wp\/v2\/types\/exhibition"}],"version-history":[{"count":0,"href":"https:\/\/www.kunsthalle-karlsruhe.de\/en\/wp-json\/wp\/v2\/exhibition\/5549\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kunsthalle-karlsruhe.de\/en\/wp-json\/wp\/v2\/media\/5402"}],"wp:attachment":[{"href":"https:\/\/www.kunsthalle-karlsruhe.de\/en\/wp-json\/wp\/v2\/media?parent=5549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}