{"id":52885,"date":"2024-06-07T12:38:20","date_gmt":"2024-06-07T10:38:20","guid":{"rendered":"https:\/\/www.kunsthalle-karlsruhe.de\/?post_type=kunstwerk&p=52885"},"modified":"2024-06-07T12:39:07","modified_gmt":"2024-06-07T10:39:07","slug":"the-annunciation","status":"publish","type":"kunstwerk","link":"https:\/\/www.kunsthalle-karlsruhe.de\/en\/kunstwerk\/the-annunciation\/","title":{"rendered":"The Annunciation"},"content":{"rendered":"
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The Annunciation<\/h1>\n

Jacques Bellange<\/p>\n <\/div>\n <\/div>\n\n

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\n \n H 42.5cm W 53.8cm <\/span>\n <\/div>\n <\/small>\n \n \n
\n Year:<\/strong>
\n around 1610\/1615<\/span>\n <\/div>\n <\/small>\n \n
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\n KunsthalleKarlsruhe@ZKM<\/span>\n <\/div>\n <\/small>\n <\/div>\n\n
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Description<\/h2> <\/div>\n <\/div>\n
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If it were not for the lily with the one figure, and the open book with a reference to the birth of Jesus with the other, one would have difficulty in identifying the figures as the Virgin Mary and the Archangel Gabriel. For Mary the artist took a portrait painting by Albrecht D\u00fcrer as a model, created the angel as a counterpart, and combined the figures into a scene depicting the Annunciation. In particular, the super-smooth facial features and the mannered gesture of Gabriel are characteristic of Bellange’s work, which has mainly come down to us through prints.<\/p>\n \n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/section>\n\n

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Dates and facts<\/h2>\n\n \n
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